bhhT^diddddddddd d d d d ddddddddddddddddddd d!d"id#d$d%d&d'd(d)d*d+d,d-d.d/d.d0d.d1d.d2d.d3d4d5d6d7d8d9d:d;d<d=d>d?d@idAdBdCdDdEdFdGdHdIdJdKdLdMdNdOdPdQdRdSdTdUdVdWdXdYdZd[d\d]d^d_d`dadbidcdddedfdgdhdidjdkdldmdndodpdqdrdsdtdudvdwdxdydzd{d|d}d~ddddddiddddddddddddddddddddddddddddddddddidddddddddddddddddddddddddddd“ddēddƓddȓiddʓdd̓ddΓddГddғddԓdd֓ddؓddړddܓddޓddddddddddddiddddddddddddddddddddddddddddddd d d d id ddddddddddddddddddd d!d"d#d$d%d&d'd(d)d*d+d,d-d.d/d0iiZidd1gd2gd3gd4gd5gd6d7d8d9d:gd;d:gd<d:gd=d>d?d@d:gidAhdBdCdd1gd2gd4dDdEd9d:gd<d:gdFdGd?d@d:gidAhdBdCdd1gdHgdIgdJgdKgdLdMdNdOd9d:gidPd?d@d:gidAhdQdCd dRgdSgdTgdUgdVgdWgdXgdYgdZd[d\d]d^d_gid`d?dad_gidbhdcdCd)dRgddgdegdfdgdhdidjd_gidkdldmd_gidbhdndCd d1gdogdpdqdrdsd:gdtd:gdqdudwdvd:gidwhdxdCd dRgdygdzgd{d|d}d~d:gd^d_gddd?dad_gidhddCdѐdRgdgdgdgdgdgdgdgdgdd ddd_gdd_gdddd_gdd_gddhddCdېdgdidRgdgdgdgdgdgdgdgdgdgdd ddd:gddgdd:gdd:gdd:gdd:gdd:gd]d_gddddd?d_gidhdd dݐdRdgdidd]d_gdd:gddd?d?d_gidbhddCddRgdgdgdgdgddddd:gdd_gdd:gdd:gdd_gdd:gdÜdĐdŐdƐd_gd?d_gdǜdbdhdɐdʜ ddgd̢id1idgd΢dgdТdgdҢdgdԢdgd֢dgdآdgdڢdgdܢdgdݢdgdߢdgddgddgddgddgddgddgdgdgdgdgddddd:gdd:gdd:gdd:gdd:gddgdd:gdd:gdd:gdd:gd dddd:gdd:gdd:gdd:gdd:gdd:gdd:gddAdhd d dd gdidRgd gd gdgdddddgd]d_gdddd_gdd_gddhdd ddRgd gdgdddd]d_gdd:gdddd_gdd_gddhddCd;dRgdgdgd gd!d"d#d$d:gd%d:gd&d_gd'd_gd(dd)d_gd*d_gddhd+dCd%dRd,gd-id.d]d/d:gid0d?d1d:gidAhd2dCdgd3gd4gd5d6dRgd7gd8d9d:d;d<d:gidd=d>d:gidwhd?d idd@gdAgdBgdCdDdEdFdGd:giddHdIdJgidKhdLdCdӐdRgdMgdNdOdPd9d:gdQd:gdRd:gdSdTdUdVdJgidKhdWdCdŐdRidXdYd<d:gidd?dZd:gidwhd[dCdd1gdHgdIgd\gd]gdJgdKd^d_d`d:gdad:gdbd:gd9d:gdcd:gddd:gded:gd<d:gdfdd?d@d:gidAhdgdCddgdidRgdgdgdgdgdgdgdgdgddh didd:gddgdd:gdd:gdd:gdd:gdd:gd]d_gddddd?d_gidhdjd dd1gdkgdldmdndod:gdpd:gdqdd?dmd:gidwhdrdCddsgdtgdudvdwdxd:gd]d_gdyd:gdzdd?d?d_gid{hd|dCd!dRgd}gd~gdgdgddddd_gdd:gdd:gdd_gdd:gdd:gdddŐdd_gdd_gdǜddhddʜ d#dgdid1gdgdgdgdgdgdgdgdgdgdd ddd:gdd:gdd:gdd:gdd:gdd:gdd:gdd:gdd:gdd:gddgd dddd:gdd:gdd:gdd:gdd:gdd:gddAdhdd d%d1gdgdgdgdgdgdgdgdddddd_gidddd:gidAhddCdgdgdgdgddœd1idgdĢdgdƢdgdȢdgdʢdgd̢dgd΢dgdТdgdҢdgdԢdgd֢dgdآdgdڢdgdܢdgdޢdgddgdddd:gdd:gdd:gdddd:gdd:gdd:gdd:gdd:gdd:gdd:gdd:gddAhdd d'dsgdgdgdgdgdgddddd:gdd:gdjd_gdd:gddd?dmd_gid{hddCddsgdgddvddxd:gd]d_gdyd:gdzddd_gdd_gdd_gdd_gdd{hddCd)d gdidRgd gd gd gd gdgd ddddgd]d_gddddd_gidhdd d+dRgd gd gd gdddd]d_gdd:gddddd_gidhddCd-d@gdgdgdgdgdgdddidddgdd:gddwhd dCd/d@gdgdgdgdgdgddd!idddgdd:gddwhd dCid0d@gdgdgdgdgdgddd"idddgdd:gddwhd dCd1d@gdgdgdgdgdgddd#idddgdd:gddwhd dCd2d@gdgdgdgdgdgddd$idddgdd:gddwhd dCd3dRgd%gd&gd'd(d)dd_gd*d:gd+dd,d-d_gidhd.dCd5dsgd/gd0gd1gd2gd3gd4gd5gd6gd7gd8gd9d: d;d<d:gd=d:gd>d:gd*d:gd?d_gdQd:gd@d:gdAd_gdBd:gdCd:gdDd:gdEd:gdFd:gd<d:gdGddHdId_gdJd_gdKddhdLdʜ dCdRgdMgdNgdOgd2gd3gdPgdQgd6gdRgdSgdTd: dUd<d:gd=d:gdVd:gdWd:gd?d_gdQd:gdXd:gdAd_gdBd:gdCd:gdYd:gdEd:gdZd:gd<d:gdGdd[dId_gdJd_gdKddhd\dʜ d7dRgd]gd^d_d`d]d_gdd:gdaddd?d_gidhdbdCd9dgdidRgdcgddgdedfdgddgd]d_gdhddd?d_gidhdbd diiiddld]d_gieddid=dsgdgddvdjdxd:gd]d_gdyd:gdzdd?d?d_gid{hdkdCd?dsgdgddvdldxd:gd]d_gdyd:gdzdd?d?d_gid{hdkdCdAdgdid1gdmgdngdogdpgdqdrdsdtd:gddgduddldmd:gidAhdvd dd@idwdid?d_gididhdxdCdd@idyiddld]d_gidhdxdCdd@idzdid?dJgid{idKhdxdCdÐd@id|id}dld]dJgidKhd~dCdɐdRgdgdgdgdgdgdgdgdgdgdgdgdgdd ddd:gdd:gdd:gdd:gdd:gdd:gdYd:gdd:gddddd:gdd:gdd:gdd:gddgddAdhddʜ idEdsgdgdgdgdgdgdgdgdgdgdd ddd:gdd:gdd:gdd:gdd:gdd:gdd:gdd:gddddƐd_gd?d_gdǜd{dhddʜ ddRgdgdgdgdgdgdgdgdgdgdgdgdd ddd_gdd_gdd_gdd_gdddd_gdÐd_gdĐd_gdŜdhdƐdCdGd1gdkgdldmdǐdod:gdpd:gdqdd?dmd:gidwhdȐdCdIdsgdɢgdʢgdˢgd̢gdd͜dΐdϐd:gdd_gdАd:gdѐd:gdd_gdd:gdҜddӐdƐd_gd?d_gdǜd{dhdԐdʜ dKd@gdբgd֢gdעgdآdٜdڐdidېdJgiddܐdmd:gidKhdݐdCdߐdRgdޢgdߢgdgddddddJgidddIdJgidKhddCddRgdgdgdgdgdgdgdgdgdgdgdgdd ddddJgidddIdJgidKhddCddRgdgdgdgdgdgdgdgdgdgdgdgdd ddddJgidddIdJgidKhddCddRgdޢgdgdgd gd d d dddJgid ddIdJgidKhddCddRgdgdgdgdgdgdgdgdgdgdޢgdgdd ddddJgidddIdJgidKhddCdMd@gdgdd d!d"dېdJgidddgd#d:gd$d:gd%d:gd&dKhd'dCdOd@d(gd)id*d(ddgidd+d,dJgidKhd-dCdd.gd/idRgd0gd1gd2d3d4d(dgddJgd5d6ddIdJgidKhd7d ddRgd8gd9d:d;dddJgid<ddIdJgidKhddCddRgdޢgd=gdd>d?dddJgid@ddIdJgidKhddCddRgdAgdBgdCgdDgdEgdFgdGgdHgdIgdJgdKgdLdM dNdddJgidOddIdJgidKhddCdPiiddld]dJgieddiiddRgdޢgdQgdRgdSdTdUdddJgidVddIdJgidKhddCddRgdWgdXgdޢgdYgdZgd[d\d]dddJgid^ddIdJgidKhddCddRgd_gd`gdagdbgdcgddgdegdfgdggdhgdigdjdk dldddJgidmddIdJgidKhddCddRgdޢgdngdogdpgdqgdrgdsgdtgdugdvgdwgdxgdydz d{dddJgid|ddIdJgidKhddCddRgd}gd~gdޢdddddJgidddIdJgidKhddCddRdgdޢiddddJgidddIdJgidKhddCddRiddddJgidddIdJgidKhddCddRdgdޢiddddJgidddIdJgidKhddCddRgdޢgdgdgdgddddddJgidddIdJgidKhddCdQd@gdgdgdgdgdgdBddd]dېdJgidd9d:gdQd:gdRd:gddKhddCddRgdޢgdgdgddddddJgidddIdJgidKhddCddRdgdޢiddddJgidddIdJgidKhddCdd.gd/idRgdޢgdgdgdgdddd(dgddJgd5dddIdJgidKhdd d dRdgdBiddddJgidddIdJgidKhddCdidid?dJgidieddid+dgdidRgdBgddddd:gdd:gdd:gdddHdIdJgidKhdd dRgdgdgdddd(dgddJgddddIdJgidKhddCid dRgdޢgdgddddddJgidddIdJgidKhddCddRgdޢgdgdgdgdgd¢gdâdĜdŐdddJgidƐddIdJgidKhddCddRgdޢgdǢgdȢdɜdʐdddJgidːddIdJgidKhddCddRgd̢gd͢gdgd΢gdϢgdТgdѢgdҢdӜdԐd(dgddJgddՐddIdJgidKhddCddRgd֢gdעd؜dِdddJgidڐddIdJgidKhddCddRgdޢgdۢgdܢdݜdސdddJgidߐddIdJgidKhddCddRgdgdgddddddJgidddIdJgidKhddCddRgdޢgdgdgddTddddJgidddIdJgidKhddCddRgdgdgdgdgdgdgddddddJgidddIdJgidKhddCdSd1gdkgdldmddod:gdpd:gdqdd?dmd:gidwhddCdUd1gdgdgdgdgdgdgddddd:gdd:gdd_gdd_gddd?dad_gidhddCdWdRidgddgddgd d gd d gd dgddgddgddgddgddgddgddgddgdd gd!d"gd#d$gd%id&gd'd(gd)d*gd+d,gd-d.gd/d0gd1d2gd3d4gd5d6gd7d8gd9d:gd;dgd?d@gdAdBgdCdDgdEdFd]d^d_gidd?dad_gidhdGdCdYdRgdHgdIdJdKdLd:gd^d_gdMdd?dad_gidbhdNdCd[dRgdOgdPgdQgdRgdSgdTgdUdVdWd]d^d_gidd?dad_gidhdXdCd]dRgdgdYgdZd[d\dLd:gd^d_gdMddd?dad_gidhd]d^ d_dsgd_gd`gdagdbgdcgddgdegdfgdggdhgdigdjgdkdl dmdnd:gdod:gdpd:gd^d_gdQd:gdqd:gdrd:gdsd:gdtdudvd_gdwd_gdxd{dhdydzdgdgd{d|d1id}gd~d(gddgddgddgddgddgddgddgddgddgddgddgddgddgddgddgdgdgdgdgdgddddd:gddgdd:gdd:gddd?dd:gidAhdd idِdgd{id1idgddgddgddgddgddgddgddgddgddgddgddgddgddgddgddgddgddgdiddd:gdd:gdd:gddd?dd:gidAhdd dad1gdgdddd]d^d_giddd9d:gidAhddCdcdsgdtgddvddxd:gd]d_gdyd:gdzdd?d?d_gid{hddCdlidid?d_gidieddidedRdgdidd^d_gdd:gdddd_gdd_gddhddCdgdRgdâgdĢgdŢgdƢgdǢdȜdɐdʐd&d_giddːd)d_gidhd̐dCdidRgdâgdĢgdŢgdǢd͜dΐd&d_gdd:gdddːd)d_gidhdϐdCdkdRgdТgdĢgdŢgdǢgdѢdҜdӐd&d_gd'd_gdd:gdԜdd)d_gd*d_gddhdϐdCdgd4gd5d՜dRgd֢gdעgdآdٜdڐdidid:giddldld:gid{hdېd dϐdRgdܢgdآdݜdސdidid:giddldld:gid{hdߐdCdmd1gdgdgdddd]d^d_gidd9d:gd,dJgdd:gdd{hddCdodsgdgdgddddjd_gdd:gdddmdmd_gid{hddCddRgdgdgdgdgd3gdgdgd6gdgdgdd: ddd:gd=d:gdd:gdd:gd?d_gdQd:gdd:gdAd_gdd:gdCd:gdDd:gdVd:gdd:gd<d:gdGdd[dId_gdJd_gdKd{dhddʜ dqd@gdgdgdgdgdBddddېdJgiddd:gdd:gdd:gdd:gdd:gdd:gd d:gd d:gdRd:gd dKhd dCdsdRgdSgd gdYgdddd]d^d_gidd?dad_gidbhddCdudRgdSgdgdYgdddd]d^d_gidd?dad_gidbhddCdwd1gdkgdldmddod:gdpd:gdqdd?dmd:gidwhddCidydRgdgdIdddd:gdd_gdd_gdddd_gd d_gd!dbhd"dCd{dRgdgdYgdZd[d#dLd:gdd_gdd_gddddd_gd d_gd!dhd$d^ d}d1gd%gd&gd'gd(gd)gd*gd+gd,gd-gd.gd/gd0d1 d2didid:gid3d4d:gdmd:gd5d{hd6dCdd1gdkgdldmd7dod:gdpd:gdqdd?dmd:gidwhd8dCdd1id9d:dod:gidd?dmd:gidwhd;dCddsgd<gd=gd>gd?gd3gd@gdAgd6gdBgdCgdDd: dEdFd:gdd:gdGd:gdHd:gd?d_gdQd:gdId:gdAd_gdJd:gdCd:gdKd:gdEd:gdZd:gd<d:gdLdd[dId_gdJd_gdKd{dhdMdʜ ddRgdNgdOgdPdQdRdSd:gdjd_gdTd:gdUddldmd_gidhdVdCddRgdWgdXgd!gdYgdZd[d\d]d:gd^d:gd_d:gd`d:gdjd_gdaddbd_gdcd_gdddhdedCddRidfgdgdhgdidjgdkdlgdWdmgdndogdpdqgdrdsgdXd gd!dtgdudvgdwdxgdydzgd{d|gd}d~gdwdgddgdidgddgddgddgddgddgddgddgddgdYdgddgddgddgddgddgddgddgdgdgdZddd]d:gd^d:gd_d:gd`d:gdjd_gdaddbd_gdcd_gdddhdedCdd1dgdiddjd:gd9d:gddd9d:gdmd:gddAhddCddRgdgddddjd_gdd:gdd:gdddmdmd_gidbhddCdd1gdgdddd]d^d:gidd?dad:gidAhddCdgdgd{d|d1id}gd~d(gddgddgddgddgddgddgddgddgddgddgddgd¢dgdâdgdĢdgdŢdgdƢgdǢgdȢgdɢgdʢgdˢdd̐dd:gddgdd:gdd:gddd?dd:gidAhd͐d ddgd{id1idgddgddgddgddgddgddgddgddgd¢dgdâdgdĢdgdŢdgdƢdgdǢdgdȢdgdɢdgdʢdgdˢidΐdd:gdd:gdd:gddd?dd:gidAhdϐd ddRidgddgddgd d gd d gd dgddgddgddgddgddgddgddgddgdd gd!d"gd#d$gd%gd'gd)gd+gd-gd/gd1gd3gd7gd9gd;gd=gd?gdAgdCgdEdМdѐdҐd_gdӐd_gdԜddՐd_gd֐d_gdלdhdؐdCddRgd٢gdIddڐdLd:gd^d_gdMddd_gd d_gd!dbhdېdCddRgdOgdPgdQgdRgdSgdTgdUdVdWdҐd_gdӐd_gdԜddՐd_gd֐d_gdלdhdܐdCiddRgdâgdĢgdŢgdƢgdǢgdѢdݜdސd&d_gd'd_gddd)d_gd*d_gddhdߐdCddRgd!gdgdddd]d^d_gidddd_gd d_gd!dhdd^ d'dRgdgdgdgdgdgdddidd9d:gdIdJgdd:gdd{hddCdd1gdkgdldmddod:gdpd:gdqdd?dmd:gidwhddCdd1gdgddmddddgiddddgidwhddCddRgdgdgdgdgddddd:gdd:gdd:gdd_gdd:gdd:gdd_gddd d_gd d_gd dhd dCddsgdgd gdgd2gd3gdgdgd6gdgdgdd: dd<d:gd=d:gdVd:gd*d:gd?d_gdQd:gd@d:gdAd_gdBd:gdCd:gdDd:gdEd:gdZd:gd<d:gdGdd[dId_gdJd_gdKddhddʜ dd1iddYd<d:gidd?dd:gidwhddCd#dgdidRgdgddddd:gddgdYd:gdd d!d"d:gidwhd#d d!gd$gd%gd&gd'gd(gd)gd*d+dRgd,gd-gd.gd/gd0gd1gd2gd3gd4gd5d6 d7d]d8d_gidd9d:dJgidwhd;d ddRgd<gd=gd>d?d@dad:gdd_gdAd:gdBdd,d-d_gidhdCdCddRgdDgdEgdFgdGgdHdIdJdKd_gdLd:gdMd:gdNd:gdOd_gdPd:gdQddŐdRd_gdSd_gdǜddhdTdʜ dd1d*gdUidVdd:gdjd_gdMdd?dmd_gidhdWdCdd gdidRgdXgdYgdZgd[gd\gd]gd^gd_gd`gdadb dcddgd]d_gddddd?d_gidhded ddRgdYgdZgd[gd\gd]gd^gd_gdfdgdhd]d_gdd:gdddd?d_gidhdidCdՐdRgdjgdkgdlgdmgdngdogdpgdqgdrgdsgdtgdudv dwdxd:gdyd:gdzd:gd{d:gd|d:gd}d:gd~d_gdd_gdddd_gdd_gddhddCddRgdgddddd:gdd:gdjd_gdddldmd_gidbhddCdsgdgdgdgdgddddd_gdd:gdd:gdd:gdd_gdd:gdddŐdƐd_gd?d_gdǜdbdhddʜ dRgdgdgddddd_gdd:gdd_gdd:gddd?dad_gidhddCdRgdgdgddddd_gdd_gdd:gdd_gdd_gdd:gdddd_gdd_gddhddCdRgdgdgddddd^d_gidddad_gidhddRgdgdddd]djd_gidd?dmd_gidhddZdS(beebo ad_env_levelz+http://drobilla.net/plugins/omins/adenv_lvl ad_envelopez'http://drobilla.net/plugins/omins/adenvadsrz%http://drobilla.net/plugins/blop/adsr pitch_verbz-http://polyeffects.com/lv2/polyclouds#oliverbamp_bassz?http://guitarix.sourceforge.net/plugins/gx_ampegsvt_#_ampegsvt_ attenuverterz(http://drobilla.net/plugins/blop/product auto_swellz?http://guitarix.sourceforge.net/plugins/gx_slowgear_#_slowgear_ bitmanglez/http://polyeffects.com/lv2/polywarps#bitcrusherchaos_controllerz&http://polyeffects.com/lv2/polymarbleschorus_dz!http://polyeffects.com/lv2/chorus chorus_d_extz%http://polyeffects.com/lv2/chorus_ext cv_to_midi_ccz#http://polyeffects.com/lv2/cv_to_ccdahdsrz'http://drobilla.net/plugins/blop/dahdsrdelayz&http://polyeffects.com/lv2/digit_delay differencez3http://polyeffects.com/lv2/basic_modular#differencediode_ladder_lpfz2http://polyeffects.com/lv2/polyfilter#diode_ladderdoppler_pannerz,http://polyeffects.com/lv2/polywarps#doppler drum_patternsz$http://polyeffects.com/lv2/polygrids env_followerz?http://ssj71.github.io/infamousPlugins/plugs.html#envfollowerCVfilterz(http://drobilla.net/plugins/fomp/mvclpf1flangerz"http://polyeffects.com/lv2/flanger flanger_extz&http://polyeffects.com/lv2/flanger_ext foot_switch_az#http://polyeffects.com/lv2/polyfoot foot_switch_b foot_switch_c foot_switch_d foot_switch_efreezez7http://ssj71.github.io/infamousPlugins/plugs.html#stuckgranularz.http://polyeffects.com/lv2/polyclouds#granularharmonic_trem_extz(http://polyeffects.com/lv2/harm_trem_extharmonic_tremoloz$http://polyeffects.com/lv2/harm_tremchorus_jz&https://chrisarndt.de/plugins/ykchorus k_org_hpfz.http://polyeffects.com/lv2/polyfilter#korg_hpf k_org_lpfz.http://polyeffects.com/lv2/polyfilter#korg_lpflfoz3http://avwlv2.sourceforge.net/plugins/avw/lfo_tempogranular_loopingz3http://polyeffects.com/lv2/polyclouds#looping_delay macro_oscz%http://polyeffects.com/lv2/polyplaitsmaxz,http://polyeffects.com/lv2/basic_modular#maxmeta_modulationz)http://polyeffects.com/lv2/polywarps#metamidi_ccz1http://github.com/blablack/midimsg-lv2/controller midi_clock_inz"http://polyeffects.com/lv2/mclk_inmidi_clock_outzhttp://gareus.org/oss/lv2/mclkmidi_note_to_cvz*http://polyeffects.com/lv2/midi_to_cv_monominz,http://polyeffects.com/lv2/basic_modular#minmix_vcaz6http://avwlv2.sourceforge.net/plugins/avw/vcaexp_audiomono_EQz#http://gareus.org/oss/lv2/fil4#monomono_cabz-http://gareus.org/oss/lv2/zeroconvolv#CfgMonomono_compressorz#http://gareus.org/oss/lv2/darc#mono mono_reverbz)http://polyeffects.com/lv2/polyconvo#Monomulti_resonatorz$http://polyeffects.com/lv2/polyrings onset_detectz'http://polyeffects.com/lv2/detect#onset oog_half_lpfz6http://polyeffects.com/lv2/polyfilter#moog_half_ladderpanz3http://avwlv2.sourceforge.net/plugins/avw/vcpanningphaserz'http://jpcima.sdf1.org/lv2/stone-phaser phaser_extz+http://polyeffects.com/lv2/stone-phaser-extphaser_stereo_extz2http://polyeffects.com/lv2/stone-phaser-stereo-ext pitch_detectz'http://polyeffects.com/lv2/detect#pitch pitch_shiftz'http://moddevices.com/plugins/tap/pitchpoly_note_to_cvz*http://polyeffects.com/lv2/midi_to_cv_polypower_amp_creamzGhttp://guitarix.sourceforge.net/plugins/gx_CreamMachine_#_CreamMachine_power_amp_superzChttp://guitarix.sourceforge.net/plugins/gx_supersonic_#_supersonic_productz0http://polyeffects.com/lv2/basic_modular#product quad_ir_cabz.http://polyeffects.com/lv2/polyconvo#CabStereoquad_ir_reverbz/http://gareus.org/oss/lv2/zeroconvolv#CfgStereo quantizerz*http://polyeffects.com/lv2/basic_quantizerratioz.http://polyeffects.com/lv2/basic_modular#ratio rectify_valuez,http://polyeffects.com/lv2/basic_modular#abs resonestorz0http://polyeffects.com/lv2/polyclouds#resonestorreversez+http://moddevices.com/plugins/tap/reflectorrotaryz(http://gareus.org/oss/lv2/b_whirl#simplerotary_advancedz*http://gareus.org/oss/lv2/b_whirl#extended sample_holdz4http://avwlv2.sourceforge.net/plugins/avw/samplehold saturatorz)http://moddevices.com/plugins/tap/sigmoid slew_limiterz.http://avwlv2.sourceforge.net/plugins/avw/slewstep_sequencerz-http://polyeffects.com/lv2/step_sequencer_bpmstep_sequencer_extz)http://polyeffects.com/lv2/step_sequencer stereo_EQz%http://gareus.org/oss/lv2/fil4#stereo stereo_cabz4http://polyeffects.com/lv2/polyconvo#CabMonoToStereostereo_compressz%http://gareus.org/oss/lv2/darc#stereo stereo_phaserz.http://jpcima.sdf1.org/lv2/stone-phaser-stereo stereo_reverbz5http://gareus.org/oss/lv2/zeroconvolv#CfgMonoToStereosumz,http://polyeffects.com/lv2/basic_modular#sum tempo_ratioz4http://polyeffects.com/lv2/basic_modular#tempo_ratiothruzero_flangez(http://drobilla.net/plugins/mda/ThruZero time_stretchz-http://polyeffects.com/lv2/polyclouds#stretchtogglez/http://polyeffects.com/lv2/basic_modular#toggleturntable_stopz:http://ssj71.github.io/infamousPlugins/plugs.html#powercut twist_delayz*http://polyeffects.com/lv2/polywarps#delayfilter_uberheimz.http://polyeffects.com/lv2/polyfilter#oberheimvcaz,http://polyeffects.com/lv2/basic_modular#ampvibratoz"http://polyeffects.com/lv2/vibrato vibrato_extz&http://polyeffects.com/lv2/vibrato_extwarmthz,http://moddevices.com/plugins/tap/tubewarmth wavefolderz)http://polyeffects.com/lv2/polywarps#foldwet_dryz"http://polyeffects.com/lv2/wet_drywet_dry_stereoz)http://polyeffects.com/lv2/wet_dry_stereoloop_common_outz*http://polyeffects.com/lv2/loop_common_outloop_common_inz)http://polyeffects.com/lv2/loop_common_inloop_extra_midiz*http://polyeffects.com/lv2/loop_extra_midi loop_midi_outz(http://polyeffects.com/lv2/loop_midi_out cv_to_triggerz0http://polyeffects.com/lv2/basic_modular#schmitt euclideanz$http://polyeffects.com/lv2/euclideanlooping_envelopez$http://polyeffects.com/lv2/polytidescv_meterz4http://moddevices.com/plugins/mod-devel/mod-cv-meter pitch_cal_inz'http://polyeffects.com/lv2/pitch_cal#in pitch_cal_outz(http://polyeffects.com/lv2/pitch_cal#out basic_reverbz#http://distrho.sf.net/plugins/MVerb cv_to_notez%http://polyeffects.com/lv2/cv_to_notevinylz)http://calf.sourceforge.net/plugins/Vinylnote_sequencerz-http://polyeffects.com/lv2/note_sequencer_bpmnote_sequencer_extz)http://polyeffects.com/lv2/note_sequencerbitcrushed_delayz+http://polyeffects.com/lv2/bitcrushed_delay bitcrusherz%http://polyeffects.com/lv2/bitcrushermidi_cc_to_notez-http://gareus.org/oss/lv2/midifilter#cctonotemidi_channel_filterz2http://gareus.org/oss/lv2/midifilter#channelfiltermidi_channel_mapz/http://gareus.org/oss/lv2/midifilter#channelmapmidi_choke_filterz0http://gareus.org/oss/lv2/midifilter#chokefilter midi_chordz.http://gareus.org/oss/lv2/midifilter#midichord midi_delayz.http://gareus.org/oss/lv2/midifilter#mididelaymidi_dupz,http://gareus.org/oss/lv2/midifilter#mididupmidi_enforce_scalez1http://gareus.org/oss/lv2/midifilter#enforcescalemidi_event_blockerz1http://gareus.org/oss/lv2/midifilter#eventblocker midi_keyrangez-http://gareus.org/oss/lv2/midifilter#keyrange midi_keysplitz-http://gareus.org/oss/lv2/midifilter#keysplitmidi_map_key_channelz2http://gareus.org/oss/lv2/midifilter#mapkeychannelmidi_map_key_scalez0http://gareus.org/oss/lv2/midifilter#mapkeyscale midi_mapccz*http://gareus.org/oss/lv2/midifilter#mapccmidi_mono_legatoz/http://gareus.org/oss/lv2/midifilter#monolegatomidi_no_active_sensingz4http://gareus.org/oss/lv2/midifilter#noactivesensing midi_nodupz*http://gareus.org/oss/lv2/midifilter#nodupmidi_note_to_ccz-http://gareus.org/oss/lv2/midifilter#notetoccmidi_note_to_pgmz.http://gareus.org/oss/lv2/midifilter#notetopgmmidi_note_togglez/http://gareus.org/oss/lv2/midifilter#notetogglemidi_ntap_delayz.http://gareus.org/oss/lv2/midifilter#ntapdelaymidi_one_channel_filterz5http://gareus.org/oss/lv2/midifilter#onechannelfilter midi_quantizez-http://gareus.org/oss/lv2/midifilter#quantizemidi_rand_velocityz1http://gareus.org/oss/lv2/midifilter#randvelocity midi_scale_ccz,http://gareus.org/oss/lv2/midifilter#scaleccmidi_sostenutoz.http://gareus.org/oss/lv2/midifilter#sostenuto midi_strumz.http://gareus.org/oss/lv2/midifilter#midistrummidi_tonal_pedalz/http://gareus.org/oss/lv2/midifilter#tonalpedalmidi_transposez2http://gareus.org/oss/lv2/midifilter#miditransposemidi_velocity_gammaz2http://gareus.org/oss/lv2/midifilter#velocitygammamidi_velocity_rangez2http://gareus.org/oss/lv2/midifilter#velocityrangemidi_velocity_scalez2http://gareus.org/oss/lv2/midifilter#velocityscale matrix_mixerz*http://gareus.org/oss/lv2/matrixmixer#i4o3tunerz"http://gareus.org/oss/lv2/tuna#modtrigger_to_gatez8http://polyeffects.com/lv2/basic_modular#trigger_to_gate clock_dividerz6http://polyeffects.com/lv2/basic_modular#clock_dividerstrumz http://polyeffects.com/lv2/strumamp_namz5http://github.com/mikeoliphant/neural-amp-modeler-lv2midi_pcz"http://polyeffects.com/lv2/midi_pc tonestackz)http://polyeffects.com/lv2/poly_3_band_eqboostz.http://polyeffects.com/lv2/basic_modular#boost) Attack Time?)zAttack to Levelrr) Decay Timerrr)zDecay to Levelrrr)z Initial Levelrrr)attack attack_leveldecay decay_level init_levelzSAn attack decay envelope generator with start and end levels. Works with a trigger.GateCVPortz Reset LevelTrigger)gate reset_leveltriggerakEnvelopes take in a trigger and produce a CV that changes over time. This version has just 2 stages, attack and decay. Connect triggers to the envelope and then connect the envelope output to the parameter you want to change over time. This version adds a level to attack to and then decay to compared to the standard version.outz Envelope Outz cv generatorsz1https://www.youtube.com/watch?v=ON5TZzc1LJ8&t=94s)categorycontrols descriptioninputslong_descriptionoutputstags video_url)rrz8A attack decay envelope generator. Works with a trigger.)port0ra1Envelopes take in a trigger and produce a CV that changes over time. This version has just 2 stages, attack and decay. Connect triggers to the envelope and then connect the envelope output to the parameter you want to change over time. This version attacks to 1 from 0.)rrr@)rrrr) Release Timerrr) Sustain Levelrrr)zTrigger Threshold皙?gQ??)rrreleasesustainthreshz/Basic ADSR envelope generator. Takes in a gate.driveaEnvelopes take in a gate and produce a CV that changes over time. This version has 4 stages, attack, decay, sustain and release. Connect gates to the envelope and then connect the envelope output to the parameter you want to change over time. This is an important part of a synthesiser but can also be used to create things like autoswells. Useful when connected to a VCA.z2https://www.youtube.com/watch?v=ON5TZzc1LJ8&t=294sr)BASSrr) CABSWITCHrrrbool) HIGHSWITCHrrrr) LOWSWITCHrr@int)MIDDLErrr) MIDSWITCHrrrr)TREBLErrr)VOLUME皙?rr)rrrrrrrrzSVT40 bass amp siminIn AudioPortzZA bass amp emulation. The tone stack has sections that can be tuned. Run a cab after this.Outzamps, cabs + gainz2https://www.youtube.com/watch?v=ON5TZzc1LJ8&t=575s)z Input Lvlg9Fr)zN/audio/amp_nam/tone_king_gremlin/tone_king-gremlin-volume_mid-channel_lead.namrrr)z Output Lvlr44@) input_levelir output_levelzEAmp Model Player, allowing it to load models of AI trained music gearinputInputz$Using Neural Amp Modeler (NAM) code.outputOutputz1https://www.youtube.com/watch?v=irBJRf0vHe4&t=60s)Arr)Brrr) multiplicand multiplierzFThe attenuverter changes level and/or phase of a control signal. A x BrrzAn attenuverter attenuates and inverts signals. You can combine signals using it, for example to ring modulate two LFOs together, or just reduce the level of a CVProductutilitesz2https://www.youtube.com/watch?v=ON5TZzc1LJ8&t=710s)DOWNTIMErr) THRESHOLDrrr)UPTIMEdrr)rTRESHOLDrz1Automatically swells volume to remove note attackr)rrzAuto swell is a similar effect to using your volume knob but instead it automatically detects when to swell.If you are looking for something more complex, you can combine an envelope follower and VCA to create your ownzlevel + dynamicsz2https://www.youtube.com/watch?v=ON5TZzc1LJ8&t=940s) Bandwidth2rr)Dampingrrr)Decayrrr)Densityrrr)z Early vs Laterrr)Gainrrr)Mixrrr)Predelayrrr)SizeKrr) bandwidthdampingrdensityearlymixgainmixpredelaysizez&A basic true stereo algorthmic reverb.zL InputzR Input)lv2_audio_in_1lv2_audio_in_2zL OutputzR Output)lv2_audio_out_1lv2_audio_out_2z time effectsz3https://www.youtube.com/watch?v=ON5TZzc1LJ8&t=1285sBPM_0)tempoxr@)Levelrrr)BPMr,)Gliderrr)TimerMbP?@)Tonerrr)Feedback333333?rr)Bitsr)Warprr)Enabledrrr)is_using_temporrr) Amp_6BPM_1 DelayT60_4Delay_2 FeedbackSm_7 Feedback_5NBITS_0Warp_3enabledrzYFlexible delay module with bitcrushed repeats. Add modules on the repeats for variations.rr ControlPortr r r rr)Amp_5r DelayT60_3Delay_1 FeedbackSm_6 Feedback_4Warp_2in0Tout0) broadcast_portsrrrrkill_dryrrrrbits)r+rrrz4basic bit reduction bit crusher, CV control of bits.bits_cv)r num_bit_cv)r+rr@) amp or freq{Gz?rr)input amplitude 2333333?rr)int_oscrrr.)z xor vs andrrr)r+ input_amp input_amp_2r3 xor_vs_andzZBrutal bitmangler. Warning, can get very loud. Based on Mutable Instuments Warps Parasite.zbit cvcarrierinput_amp_2_cv input_amp_cv modulatorz xor vs and cv)bit_cvr7r8r9r: xor_vs_and_cvzThe bit mangler isn't a normal bit crusher, instead it degredation and cross modulationthe bitwise AND is much louder than the bitwise XOR end, so I recommend a compressor or something aftwards to control levels.z/https://mqtthiqs.github.io/parasites/warps.htmlaux)r=rportedz3https://www.youtube.com/watch?v=ON5TZzc1LJ8&t=1626s) rrrrr manual_urlrrr t_rate_param) T Clock BPMrriHdeja_vu_length_param)zDeja Vu Lengthrrr deja_vu_param)zDeja Vu Probablityrrrexternal_param)zExternal Controlrrrr t_bias_param)z T Gate Biasrrrt_deja_vu_param)z T Deja Vurrrt_jitter_param)zT Jitterrrr t_mode_param)zT Moderrr t_range_param)zT Rangerrr)rArrg@@ x_bias_param)zX Distribution Biasrrrx_clock_source_internal)zX Clock Source Internalrrr.x_deja_vu_param)z X Deja Vurrr x_mode_param)zX Moderrr x_range_param)zX Rangerrrx_scale)zX Scalerrrx_spread_param)zX Spreadrrr x_steps_param)zX Smoothness Stepsrrr)zY Distribution Biasrrr)z Y Dividerrrg(@)zY Spreadrrr)z Y Smoothnessrrr) y_bias_param y_dividery_spread_param y_steps_paramzSPowerful repeatable randomness source. Based on Mutable Instruments Marbles module.z Deja Vu Inputz T Bias InputzT Clock Trigger InputzT Jitter Inputz T Rate Inputz BPM T Clockz X Bias Inputz X Clock InputzX Spread Inputz X Steps Input) deja_vu_input t_bias_input t_clock_inputt_jitter_input t_rate_inputr@ x_bias_input x_clock_inputx_spread_input x_steps_inputaA source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavors of randomness it produces. The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.z;https://www.mutable-instruments.net/modules/marbles/manual/z T1 Outputz T2 Outputz T3 Outputz X1 Outputz X2 Outputz X3 OutputzY Output) t1_output t2_output t3_output x1_output x2_output x3_outputy_outputz2https://www.youtube.com/watch?v=24a0UzbKCKk&t=146s) r)rrrrrr?rrrr)rrgQ$@i)Delayrrr)Depthrrr) Deviationrrr)rDelay_0Depth_3 Deviation_4z 8 voice multi dimensional chorus)rr'zout Lzout R)r(out1z mod effectsz3https://www.youtube.com/watch?v=24a0UzbKCKk&t=1316s) r)rrrrrrrr)riDepth_1 Deviation_2z'8 voice multi dimensional chorus CV LFOzLFO CV)r'in1z3https://www.youtube.com/watch?v=24a0UzbKCKk&t=1358s)zChorus 1 On/Offrrrr)zChorus 1 LFO Rater皙?$@)zChorus 2 On/Offrrrr)zChorus 2 LFO Rateg @rprq)chorus_1_enablechorus_1_lfo_ratechorus_2_enablechorus_2_lfo_ratez-chorus based on vintage Japanese synth chorusz1 Enablez2 Enablez Audio Input 1z Audio Input 2)rrrtrrzAudio Output 1zAudio Output 2z3https://www.youtube.com/watch?v=24a0UzbKCKk&t=1520sdivider)Dividerrrrz"outputs a trigger every n triggersz trigger inputz0useful for dividing down a eurorack style clock.z trigger outz3https://www.youtube.com/watch?v=24a0UzbKCKk&t=1745s)levelrr)z Max Levelrrzr)z Min Levelrrzr)ry max_level min_level)rrrr)Resetrrr) PluginEnabledr}z;Simple CV meter that shows instant values with no smoothingCvInputzCV inputCvOutputz CV Outputz3https://www.youtube.com/watch?v=24a0UzbKCKk&t=2194sr) CC Numberrrr)Channelrrrr) resolution{Gz?gh㈵>r)CC_NUMCHAN RESOLUTIONzconvert control to MIDI CCCV_INzCV InMIDI_OUTzMIDI OutAtomPortmidiz3https://www.youtube.com/watch?v=24a0UzbKCKk&t=2245s)rrrr)z note offsetri<)chan note_offsetz:converted v/oct pitch to MIDI notes. Velocity is optional.PitchVelocity)gate_inpitch_in velocity_inzUIf velocity is not connected, 64 is sent for velocity. Note offset is +- from note 60midi_outz MIDI note Outz3https://www.youtube.com/watch?v=24a0UzbKCKk&t=2520szNA Schmitt trigger that converts external analog CV to digital on / off triggerrz Out Triggerz3https://www.youtube.com/watch?v=24a0UzbKCKk&t=2620s) Delay Timerprr) Hold Timerrr)rrrholdrrzrrzvGranular pitch shifting, micro looping delay. CPU Hungry. Based on Parasite firmware of Clouds by Mutable Instruments. DiffusionLoopr@z pitch windowFilterz0https://mqtthiqs.github.io/parasites/clouds.htmlz3https://www.youtube.com/watch?v=2g7hH2-9iEA&t=1208s) CrossoverFreq ')depthrprr)CrossoverFreq_0depth_1zharmonic tremolo CV LFO input)r'lfo_in1z1https://www.youtube.com/watch?v=6hHgWDboqIU&t=90s)rrr)zCrossover FreqrFrGrH)rgrprr)rCrossoverFreq_1depth_2z"harmonic tremolo with internal LFO)rr')rrrrrrz:A high pass filter similar to the vintage Japanese designsz2https://www.youtube.com/watch?v=6hHgWDboqIU&t=570sz9A low pass filter similar to the vintage Japanese designs)Unipolarrrrr)rrrr)Temporrqgt@)zTempo Multiplierrg{Gz?g@@)z Wave Formrrrr)is_uniryrtempoMultiplierwaveFormz0Low frequency oscillator, send a control signal.r})rrz1https://www.youtube.com/watch?v=jLku1gL3h8k&t=80szCommon input to the looplerz2https://www.youtube.com/watch?v=jLku1gL3h8k&t=480szCommon output from the looplerzbConnect internal MIDI generators to the Looper, do not connect external MIDI here, will duplicate.z^For example trigger loops with a chaos controller module connected to a CV to CC then to this.zOuput MIDI Clock from looper.zYou can connect this to external gear to sync to a loop or drive internal or CV gear by connecting to the MIDI clock input module.z3https://www.youtube.com/watch?v=jLku1gL3h8k&t=1915s) frequencyrrr)rUrHH@)moderr@)ramprrr.)rangerrr.)shaperrr)r\rrr)shiftrrr)r]rrr)sloperrr)r^rrr) smoothnessrrr)r_rrr) frequency_cv_paramfrequency_param mode_param ramp_param range_paramshape_cv_param shape_paramshift_cv_param shift_paramslope_cv_param slope_paramsmoothness_cv_paramsmoothness_paramzNA powerful envelope and LFO generator. Based on Tides by Mutable Instruments. rUr\r]r^r_z v per oct) clock_inputfrequency_input shape_input shift_input slope_inputsmoothness_input trig_input v_oct_inputz&Based on Tides by Mutable Instruments.z9https://www.mutable-instruments.net/modules/tides/manual/rlrrr)rlrrr tempo_outz3https://www.youtube.com/watch?v=jLku1gL3h8k&t=2087s) Frequency Modrrr)rUrrY) harmonicsrrr)z LPG Colorrrr)z LPG Decayrrr)modelrr0@)morphrrr)z Morph Modrrr)timbrerrr)z Timbre Modrrr) freq_modrUrx lpg_color lpg_decayryr{ morph_modr| timbre_modzTA powerful multi model oscillator voice. Based on Mutable Instruments Plaits module.z engine cvz frequency cvz harmonics cvzlevel cvzmorph cvz V per oct CVz timbre cvz trigger cv) engine_cvfreq_cv harmonics_cvlevel_cvmorph_cvnote_cv timbre_cv trigger_cvz:https://www.mutable-instruments.net/modules/plaits/manual/z3https://www.youtube.com/watch?v=1ED7ipo2wTM&t=1140s)Input 1rrr)rrrr)Input 2rrr)rrrr)Input 3rrr)rrrr)Input 4rrr) mix_1_1mix_1_2mix_1_3mix_2_1mix_2_2mix_2_3mix_3_1mix_3_2mix_3_3mix_4_1mix_4_2mix_4_3z4 in 3 out matrix mixerrrrr)roin2in3in4zOutput 1zOutput 2zOutput 3)rlrrz3https://www.youtube.com/watch?v=1ED7ipo2wTM&t=1985szmax of a, b also logical orz3https://www.youtube.com/watch?v=1ED7ipo2wTM&t=2115s) algorithmrrr)zlevel 1 or freqrrr)zlevel 2rrr)r\rrr.)rlevel1level2r\r|zwA powerful cross modulation module which applies an algorithm to the two inputs. Based on Warps by Mutable Instruments.z algorthm cvzlevel 1 freq cvz level 2 cv) algorthm_cvr7 level1_cv level2_cvr:rz9https://www.mutable-instruments.net/modules/warps/manual/z3https://www.youtube.com/watch?v=1ED7ipo2wTM&t=2370s)rrr_@r) Logarithmicrrrr)Maximumrrr)Minimumrrr)controller_number logarithmicmaximumminimumzMIDI CC to control valuez MIDI Input output_cvz2https://www.youtube.com/watch?v=6sDNZ19IR-k&t=620s)zFilter Channelrrrr)zKey (midi-note)0rrr)Operation Moderrrr)zCC Parameter to interceptrrrr)channelfkeyrXparamz2translate control-commands to note-on/off messagesmidiinzMIDI InaFilter ChannelMIDI Channel (1..16) on which the filter is active.Data on other channels is passed though unmodified.Operation Mode:Value 0 = Fixed key, velocity = CC-valueValue 1 = key = CC-value, fixed velocity (64)Value 2 = All keys, key = parameter, velocity = CC-valueCC Parameter to Intercept:unused in "all keys" mode.Key (midi-note):only used in "velocity = value" mode.Convert MIDI control change messages to note-on/off messages.Note off is queued 10msec later.midioutz3https://www.youtube.com/watch?v=6sDNZ19IR-k&t=1205s)z Channel 1rrrr)z Channel 10rrrr)z Channel 11rrrr)z Channel 12rrrr)z Channel 2rrrr)z Channel 3rrrr)z Channel 4rrrr)z Channel 5rrrr)z Channel 6rrrr)z Channel 7rrrr)z Channel 8rrrr)z Channel 9rrrr) chn1chn10chn11chn12chn2chn3chn4chn5chn6chn7chn8chn9zdiscard messages per channela1Simple MIDI channel filter. Only data for selected channels may pass.This filter only affects midi-data which is channel relevant (ie note-on/off, control and program changes, key and channel pressure and pitchbend).MIDI-SYSEX and Realtime message are always passed on. See also "MIDI Channel Map" filter.z3https://www.youtube.com/watch?v=6sDNZ19IR-k&t=1155s)z Channel 1 torrrr)z Channel 10 torrrr)z Channel 11 to rrr)z Channel 12 to rrr)z Channel 2 torrrr)z Channel 3 torrrr)z Channel 4 torrrr)z Channel 5 torrrr)z Channel 6 torrr)z Channel 7 torrr)z Channel 8 torrrr)z Channel 9 to rrrz,map any MIDI-channel to another MIDI-channelz3https://www.youtube.com/watch?v=6sDNZ19IR-k&t=1278s)z Choke Note.rrr)zRelease Velocityrrrr)zHigh Trigger Note*rrr)zLow Trigger Noterrrr)rchokervmode triggerhi triggerloz5trigger note-off events, create exclusive note-groupsaMIDI Choke filter. Send note-off message for choke note (if it is on), when any note within the trigger note range is received.Low Trigger Note: Lowest note of the note range, which triggers the choke.High Trigger Note: Highest note of the note range, which triggers the choke.Choke Note: Note, which is choked when a trigger note is received.Release Velocity: What to set the release velocity of the choke note-off to.z3https://www.youtube.com/watch?v=6sDNZ19IR-k&t=1338s)bassrrrr)primerrrr)2ndrrrr)3rdrrrr)4thrrrr)5thrrrr)7thrrrr)octaverrrr)9thrrrr)z Hold Chordrrrr)Scalerrrr) _8c1c2c3c4c5c7c8c9rrscalez>create MIDI chords from a single note in a given musical scalea+Harmonizer - make chords from single (fundamental) note in a given musical scale. The scale as well as intervals can be automated freely (currently held chords will change). Note-ons are latched, for multiple/combined chords only single note-on/off will be triggered for the duration of the combined chords. If a off-scale note is given, it will be passed through - no chord is allocated. Note: Combine this effect with the "MIDI Enforce Scale" filter to weed them out.Hold a note until the next note arrives. -- Play the same note again to switch it off.z3https://www.youtube.com/watch?v=6sDNZ19IR-k&t=1500s)zBandwidth Smoothing@rr)z pulse dividerrrrx)rrvzMIDI Clock to BPMcontrolz Is Runningz Clock Pulsez Start Trigger)r is_running pulse_out start_triggerz3https://www.youtube.com/watch?v=6sDNZ19IR-k&t=1515sr)rrD@gj@zBPM to MIDI ClockmclkzMidi Outz3https://www.youtube.com/watch?v=6sDNZ19IR-k&t=1820sdelayBPM)rrrr)rrrq@)zDelay Beats 4/4rrrzr)zRandomize [Beats]rrrr)r delayBeats delayRandomz-delay MIDI events with optional randomization)rrzMIDI delay line. Delay all MIDI events by a given time which is given as BPM and beats. If the delay includes a random factor, this effect takes care of always keeping note on/off events sequential regardless of the randomization.z3https://www.youtube.com/watch?v=6sDNZ19IR-k&t=1948s)zDuplicate to Channelrrrr)zSource Channelrrrr)chdchsz1duplicate MIDI events from one channel to anotherzRMIDI Duplicate Blocker. Filter out overlapping note on/off and duplicate messages.)Moderrrr)rrXrz'force midi notes on given musical scalezFilter note-on/off events depending on musical scale. If the scale is changed, note-off events are sent for all active out-of-key notes.)zBlock Control Changesrrrr)zBlock Custom Messagerrrr)zBlock Channel-Pressurerrrr)z Block Notesrrrr)zBlock Pitch Bendrrrr)zBlock Program Changesrrrr)zBlock Polykey-Pressurerrrr)zBlock System Messagesrrrr)zCustom message Data1rrrr)zCustom message Data2rrrr)zCustom message Channelrrrr)zCustom Message Typerrrr) blkccblkcmblkcpblknoteblkpbblkpcblkppblksxcm1cm2cmfcmtz;notch style MIDI message filter. Suppress specific messageszFFor flexible note-on/off range see also "keyrange" and "velocityrange" midi_input)z Lowest Noterrrr)rrrrr)z Highest Noterrrr)rlowerrXupperz1discard notes-on/off events outside a given rangezThis filter allows to define a range of allowed midi notes. Notes-on/off events outside the allowed range are discarded. If the range changes, note-off events are sent to currently active notes that end up outside the valid range.)z Channel Lowerrrrr)z Channel Upperrrrr) Splitpointrrrr)zTranspose Lowerrrr)zTranspose Upperrrrr)channel0channel1rsplittransp0transp1zGchange midi-channel number depending on note (and optionally transpose)a8Change midi-channel number depending on note. The module keeps track of transposed midi-notes in case and sends note-off events accordingly if the range is changed even if a note is active. However the split-point and channel-assignments for each manual should only be changed when no notes are currently played.)Crrrr)C#rrrr)A#rrrr)rrrrr)Drrrr)D#rrrr)Errrr)Frrrr)F#rrrr)Grrrr)G#rrrr)rrrrr) k0k1k10k11k2k3k4k5k6k7k8k9z12-tone channel mapz12-tone channel map. Allow to change midi-channel per note. (Events other than note-on/off will be passed through as-is;currently there is no channel panic forwarding, nor note-off events when changing the channel-assignments dynamically))rrrr)rrrrr)rrrrr)rrrrr)rrrrr)rrrrr)rrrrr)rrrrr)r rrrr)r rrrr)r rrrr)rrrrr) rr r rrrrrrrrrrzflexible 12-tone note mapaFlexible 12-tone map. Allow to map a note within an octave to another note in the same octave-range +- 12 semitones. Alternatively notes can also be masked (disabled). If two keys are mapped to the same note, the corresponding note on/events are latched: only the first note on and last note off will be sent. The settings can be changed dynamically: Note-on/off events will be sent accordingly.)zCC Inputrrrr)z CC Outputrrrr)ccinccoutrz'change one control message into anotherz6Combine with scalecc to modify/scale the actual value.rz'hold a note until the next note arrivesz*Play the same note again to switch it off.z strip MIDI Active-Sensing eventsaFilter to block all active sensing events. Active sensing messages are optional MIDI messages and intended to be sent repeatedly to tell a receiver that a connection is alive, however they can clutter up the MIDI channel or be inadvertently recorded when dumping raw MIDI data to disk.zMIDI duplicate blocker.z:Filter out overlapping note on/off and duplicate messages.)zActive Key (midi-note)rrrr)rrrrr)zIgnore Note Offrrrr)z CC Parameterrrrr)rrrXnooffrz8convert MIDI note-on messages to control change messageszWConvert only MIDI note-on messages to control change messages (ignored in toggle mode).)Centrrr)Octaverrr)Panicrrrr) Retriggerrrrr)Semitonerrr)rrr r!r"channelz,convert MIDI notes to v per octave pitch CVs)rrr)z Min Velocityrrrr)rrrrr)Offsetrr r)rminvelrXoffz;convert MIDI note messages to patch/program change messageszMode: Mapping from note to patch-change. This is either chromatic mapping start at the lowest note (C-1), or white-keys (C-major scale) starting at a given C.zEtoggle notes: play a note to turn it on, play it again to turn it off)rrrrr)zRepeat-time in beatsrp?rz)Repeatsrrr r)z velocity ramp$PP@r)rrrtaps velocityadjz,repeat MIDI notes N times (incl tempo-ramps)r$zbasic MIDI channel filteraThis effect repeats notes N times. Where N is either a fixed number or unlimited as long as a given key is pressed. BPM and delay-time variable allows tempo-ramps. On every repeat the given velocity-adjustment is added or subtracted, the result is clamped between 1 and 127. midi_outputpc_out)z Current PCrrr)z PC Numberrrrr)rPC_NUMz1Send a MIDI program change message when triggeredz down triggerz set triggerz up trigger)DOWN_CVSET_CVUP_CV)r)rrrrrrr)zNote-off behaviourrrrr)zQuantization Grid?r)rYr)rmindurquantzlive midi event quantization)rra/Live event quantization. This filter aligns incoming MIDI events to a fixed time-grid. Since the effect operates on a live-stream it will introduce latency: Events will be delayed until the next "tick". If you provide tempo, the events are aligned to the clock otherwise the effect runs on its own time.)z Random Moderrrr)zVelocity Randomizationrrrr)r$rXrandfactz*randomly change velocity of note-on eventsz=Randomize Velocity of MIDI notes (both note on and note off).)zParameter (Min)rrrr)zParameter Moderrrr)zParameter (Max)rrrr)z Value Scalerr+rqr)z Value Offsetrr&r r)z Value Moderrrr)rrpmodervalmulvaloffvmodez=modify the value (data-byte) of a MIDI control change messagea*Parameter (Min): lower end of parameter-range (inclusive)Parameter (Max): upper end of parameter-range (inclusive)Parameter Mode: 0 = Bypass, 1 = Include Range, 2 = Exclude RangeValue Mode: 0 = Clamp to 0..127, 1 = Reflect Overflow (-1 to 1, 128 to 127), 2 = Truncate Overflow (-1 to 127, 128 to 0))z Pedal Moderrrr)zSostenuto [sec]rr@r)rpedal sostenutoz8delay note-off messages, emulate a piano sostenuto pedalaThis filter delays note-off messages by a given time, emulating a piano sostenuto pedal. When the pedal is released, note-off messages that are queued will be sent immediately. The delay-time can be changed dynamically, changes do affects note-off messages that are still queued.Sostenuto [sec]: Time to delay the note-off signal.Pedal Mode: Mode of the sustain pedal. Fixed on (pedal pressed) or off (pedal released) for notes of all MIDI channels. The on/off state can alternatively be set by CC, in which case it is per MIDI-channel.)zStrum Accelerationrrrr)zVelocity Changerg\g\@r)zNote Collect Timeout [ms]rrr@r)zStrum Duration in Beatsr6rrYr)zStrum Directionrrrr)zRandomize Accelerationrrrr)zRandomize Velocityrrrr)adjspeed adjvelocityrcollectdurationrX randspeed randvelocityzRarpeggio effect intended to simulate strumming a stringed instrument (e.g. guitar)aA chord is "collected" and the single notes of the chord are played back spread out over time. The "Note Collect Timeout" allows for the effect to be played live with midi-keyboard, it compensates for a human not pressing keys at the same point in time. If the effect is used with a sequencer that can send chords with all note-on at the exactly time, it should be set to zero.BPM: base unit for the timeStrum Direction: 0 = Always Down (low notes first), 1 = Always Up (high notes first), 2 = Alternate, 3 = Up/Down Beat, 4 = Up/Down 8thNote Collect Timeout [ms]: Time to wait for chord to be "complete". Keys pressed withing given timeframe will be combined into one chord.Strum Duration in Beats: 0 = Immediate, 0.125 = 32nd, 0.25 = 16th, 0.5 = Eighth, 1 = Quarter, 2 = Half Note, 4 = Whole NoteStrum Acceleration: Accellerate/Decelerate over the time of the strum. The total duration remains unchanged. If the value is greater than zero, early notes are further apart and later notes will be closer together.Velocity Change: Modify velocity over stroke time. If the value is greater than zero, later notes will played louder.Randomize Acceleration: Amount of randomization to apply to the accel/decel setting. A Value of 1.0 means to add a random-number of the full-range (-1..1) to the given value.Randomize Velocity: Amount of randomization to apply to the acceleation value. A value of 1.0 means to add a random-number of the full-range (-112..112) to the given value.)z Forward CCrrrr)zPedal CCrrrr) forward_ccr?zuHolds any notes that are currently played when the sustain pedal is pressed for as long as the pedal remains pressed.zgReleasing the pedal sends Note-Off events. New notes played after presseing the pedal are not affected.)zInversion pointrrrr) Transposerir r)r inversion transposezchromatic transpose MIDI noteszChromatic transpose of midi notes and key-pressure. If an inversion point is set, the scale is mirrored around this point before transposing. Notes that end up outside the valid range 0..127 are discarded.)rrrrr)zNote-off Gammarrrr)z Note-on Gammarrrr)r$offgammaongammaz.modify note velocity curve by a gamma exponentaChange the velocity of note events with separate controls for Note-on and Note-off. Velocities are first normalized to the range 0..1, then the gamma is applied as an exponent, and then the result is scaled back onto the 0..127 range. Higher gamma values produce a "softer" velocity curve, lower gamma values make the low end harder. Gamma = 0 effectively produces a constant velocity.)z Min Volumerrrr)z Max Volumerrrrz-filter MIDI note events according to velocityaNote-on events outside the allowed range are discarded. If a Note-off is received for a note that was previously filtered, it is also not passed though. If the allowed range changes, note-off events are sent to currently active notes that end up outside the valid range.)z Note-off Maxrrrr)z Note-off Minrrrr)zNote-off Offsetrr,r-r)z Note-on Maxrrrr)z Note-on Minrrrr)zNote-on Offsetrr,r-r)r$offmaxoffminoffoffonmaxonminonoffz2modify note velocity by constant factor and offsetaChange the velocity of note events with separate controls for Note-on and Note-off. The input range 1 - 127 is mapped to the range between Min and Max. If Min is greater than Max, the range is reversed. The offsets value is added to the velocity event after mapping the Min/Max range.zmin of a, b also logical andz2https://www.youtube.com/watch?v=KU8xxLjNQMI&t=525s)z Gain Offsetrrr) Main Gainrrr)z2nd Gain Boostrrr)2nd Gainrrr)z In 1 Levelrrr)z In 2 Levelrrr)z Output Levelrrr)gain1 gain1Datagain2 gain2Dataror outputLevelzMVoltage controlled amplifier. Used to change the level from a control signal.rTrUzIn 1zIn 2)rWrYin1Datain2Dataz2https://www.youtube.com/watch?v=KU8xxLjNQMI&t=582sHPQ)zHighPass Resonancer&rffffff?HPfreq)zHighpass Frequencyrr@HSfreq)zHighshelf Frequency@@@@g@@HSgain)zHighshelf Gainr22@HSq)zHighshelf Bandwidthr?rYHSsec) HighshelfrrrHighPass)HighpassrrrLPQ)zLowPass Resonancerrr^LPfreq)zLowpass Frequency@@@roLSfreq)zLowshelf FrequencygT@g9@gy@LSgain)z Lowshelf GainrrerfLSq)zLowshelf BandwidthrrhrYLSsec)LowshelfrrrLowPass)Lowpassrrrenable)Enablerrrfreq1)z Frequency 1gd@rg@@freq2)z Frequency 2gx@rg@@freq3)z Frequency 3r`Y@g@freq4)z Frequency 4g@i@ror)rrrerfrV)zGain 1rrerfrX)zGain 2rrerfgain3)zGain 3rrerfgain4)zGain 4rrerf peakreset)zReset Peak Holdrrrq1)z Bandwidth 1rArhrYq2)z Bandwidth 2rArhrYq3)z Bandwidth 3rArhrYq4)z Bandwidth 4rArhrYsec1)z Section 1rrrsec2)z Section 2rrrsec3)z Section 3rrrsec4)z Section 4rrrzMono multiband parametric EQz2https://www.youtube.com/watch?v=KU8xxLjNQMI&t=598s)z Wet levelrrr)z/audio/cabs/1x12cab.wavrrr)wetrz Mono cab sim Output Gain)rrz2https://www.youtube.com/watch?v=KU8xxLjNQMI&t=827s)Ratiorrr)rrr rp)ryrrrr)Holdrrrr)z Input Gainrr+g>@)rrgQ?r.)r>Ir+)rrrxr inputgainr thresholdz(RMS downward compressor with auto markupz3https://www.youtube.com/watch?v=KU8xxLjNQMI&t=1082s)rrDrY)z!/audio/reverbs/emt_140_dark_1.wavrrr)rrrzMono convolution based reverb.z3https://www.youtube.com/watch?v=KU8xxLjNQMI&t=1595s) rrrrr*rrrr)Brightness Modrrr) Brightnessrrr) Damping Modrrr)rrrr)rvrrr)rrrN@)zInternal Exicterrrrr) Polyphonyrrr) Position Modrrr)r4rrr) Resonatorrrr) Structure Modrrr) Structurerrr) brightness_mod_parambrightness_paramdamping_mod_param damping_paramfrequency_mod_paramrainternal_exciter_parampolyphony_paramposition_mod_paramr-resonator_paramstructure_mod_paramstructure_paramziResonator building block simulating multiple vibrating structures. Based on Rings by Mutable Instruments.rrrvrrStrum)brightness_mod_inputdamping_mod_inputfrequency_mod_inputin_input pitch_inputposition_mod_inputstructure_mod_input strum_inputz9https://www.mutable-instruments.net/modules/rings/manual/EvenOdd) even_output odd_outputz3https://www.youtube.com/watch?v=KU8xxLjNQMI&t=2570s)rrrrr?rrr)zcurrent step outrrr)rcurrent_step_out back_gate)backrrr)rrrGr note_length)z Note Lengthg??rr)rrrYplay)rrrrsteps)z Loop Stepsrrrval0)Value 0rrrval1)Value 1rrrval10)Value 10rrrval11)Value 11rrrval12)Value 12rrrval13)Value 13rrrval14)Value 14rrrval15)Value 15rrrval2)Value 2rrrval3)Value 3rrrval4)Value 4rrr)Value 5rrr)Value 6rrr)Value 7rrr)Value 8rrr)Value 9rrr)val5val6val7val8val9z*16 Step note sequencer with internal clockz Back GatePlay)rrrrz0https://www.youtube.com/watch?v=n6cvz_eARg8&t=0sr)rrrwrYrrrrrzC16 Step note sequencer that takes in a trigger for next or previousz2https://www.youtube.com/watch?v=n6cvz_eARg8&t=379s)zOnset Thresholdrrpr)zSilence ThresholdVrr+)onset_thresholdsilence_thresholdz.detects when a note starts and sends a triggerrz3https://www.youtube.com/watch?v=n6cvz_eARg8&t=1000sz6A low pass filter inspired by vintage American designsz3https://www.youtube.com/watch?v=n6cvz_eARg8&t=1575s panOffset)z Pan Offsetrrrz Control signal controlled pannerzPan CV)rpanCVzOut LzOut R)rlrz3https://www.youtube.com/watch?v=n6cvz_eARg8&t=1926s)Colorrrrr)zFeedback depthrrc)zFeedback bass cutrprqg@)z LFO frequencyrrr)z Dry/wet mixrrr)colorfeedback_depthfeedback_hpf_cutoffrrz Basic phaserrrz0https://www.youtube.com/watch?v=rfGIUH1nDeo&t=0s)rrrrz"Mono phaser controlled by CV inputz2https://www.youtube.com/watch?v=rfGIUH1nDeo&t=379s)rrrr)z Stereo phaseriL)rrrr stereo_phasez$Stereo phaser controlled by CV input)rrlv2_audio_in_3)r{r|)measurerrr)offsetrrr)rrrr)rrrz'Pitch Calibration for a v per oct inputz2https://www.youtube.com/watch?v=rfGIUH1nDeo&t=546s)rrr)rrz(Pitch Calibration for a v per oct outputz2https://www.youtube.com/watch?v=rfGIUH1nDeo&t=757s)zPitch Detection Tolerancerrpr&)rpitch_thresholdrzBBETA detects played notes and converts it volt per octave and MIDIz V/Oct Pitch)rrvoctz2https://www.youtube.com/watch?v=rfGIUH1nDeo&t=820s) Dry LevelrrG)zSemitone Shiftrr#rr) Wet LevelrrrG)Drylevelr"Wetlevelz1a basic pitch shifter. It delays the input signal)r SemitoneCVz3https://www.youtube.com/watch?v=rfGIUH1nDeo&t=1774s)rrrr)rr&rr)Modulation Speedr>rr)rrrr) pre-delayrrr)Modulation Amountrrr)rgp= ף?rr)r?g ףp= ?rr)dampgQ?rrzA special effects algorthmic reverb, featuring longer tails than the convolution reverb. Based Parasites Oliverb firmware of Mutable Intruments Clouds module. rrrrrDampzThis eurorack based algorithmic reverb is designed to be modulated by control values. It's great for special effects, and general weirdness. It isn't well suited to realistic sounds. It's capable of pitch shifting and self oscilliation.z3https://www.youtube.com/watch?v=rfGIUH1nDeo&t=2039s)rrrrr)rrr r"r$z1convert poly MIDI notes to v per octave pitch CVsMIDIInzGate 1zGate 2zGate 3zGate 4zPitch 1zPitch 2zPitch 3zPitch 4) Gate1Gate2Gate3Gate4Pitch1Pitch2Pitch3Pitch4velz3https://www.youtube.com/watch?v=rfGIUH1nDeo&t=2338s)LEVELrrr)rrrr)rrrrz3An attempt at a cream coloured power amp emulation.z3https://www.youtube.com/watch?v=rfGIUH1nDeo&t=2483s)GAINr2rr)rr6rr)rrrrz#An attempt at a power amp emulationza times b for control signalsz3https://www.youtube.com/watch?v=rfGIUH1nDeo&t=2606s)rrrr")rrzJRequires quad channel IR. You do not want this unless you have special IRsrInLInR)rin_1in_2OutLOutR)out_1out_2z0https://www.youtube.com/watch?v=VEFFyJe0tVQ&t=0sz.Convolution reverb. Quad channel IRs required.z2https://www.youtube.com/watch?v=VEFFyJe0tVQ&t=259s)rrrrr)rrrrr)rrrrr)rrrrr)rrrrr)rrrrr)rrrrr)rrrrr)rrrrr)r rrrr)r rrrr)r rrrr) n1n10n11n12n2n3n4n5n6n7n8n9z+quantize a v/oct signal to a musical scale.zZFeed in an LFO to make it play specific notes instead of smoothly changing between pitchesChanged)changedrz2https://www.youtube.com/watch?v=VEFFyJe0tVQ&t=336sz"a divided by b for control signalsz3https://www.youtube.com/watch?v=VEFFyJe0tVQ&t=1057sz0rectify or get the absolute value of the input. rz3https://www.youtube.com/watch?v=VEFFyJe0tVQ&t=1226s)z random modr rr)rgp= ף?rr)rxrArr) Switch Voicerrr)r|g(\?rr)scatterg{Gz?rr)chordg ףp= ?rr)r%g= ףp=?rr)rrrrz]dual voice four part resonator. Based on Parasite firmware of Clouds by Mutable Intstruments.z Random Mod HarmonicsrTimbreScatterChord)rrrrr9r!r#r:r$rGrr%r'r;z3https://www.youtube.com/watch?v=VEFFyJe0tVQ&t=1449s)rrrr)zFragment Lengthrcr}g@)rrrr)dryfragmentrz;Reverse effect. Try short fragment length for weird tremolorr)r$rrz3https://www.youtube.com/watch?v=VEFFyJe0tVQ&t=1945s)z Drum Levelrrr)zDrum Stereo Widthrrr)z Horn Levelrrr)z Motors Ac/Dcrrr)drumlvl drumwidthrxhornlvlrt_speedzHA rotating loudspeaker using physical modelling. Same sound as advanced.z Drum Brakez Drum Speedz Horn Brakez Horn Speed) drum_brake_cv drum_speed_cv horn_brake_cv horn_speed_cvrz Left Outputz Right Output)leftrightz3https://www.youtube.com/watch?v=VEFFyJe0tVQ&t=2588s drumaccel)zDrum Accelerationg5^I @rr drumbrake)zDrum Brake Positionrrr drumdecel)zDrum DecelerationgV-?rrr& drumradius)z Drum Radiusg6@"@I@ drumrpmfast)zDrum Speed FastgTv@rr> drumrpmslow)zDrum Speed SlowgB@rr}r' filtafreq)rg@@o@rb filtagain)rrrVrWfiltaq)rgI.!@rr filtatype)zHorn Filter-1 Typerrr filtbfreq)rrAr9rb filtbgainfiltbq)rrrr filtbtype)zHorn Filter-2 Typerrr filtdfreq)rgK7_@r5rb filtdgain)rgW[vCrVrWfiltdq)rg`TR'?rr filtdtype)zDrum Filter Typerrr hornaccel)zHorn AccelerationgS㥛?r rq hornbrakepos)zHorn Brake Positionrrr horndecel)zHorn Decelerationg%C?r rqhornleak)zHorn Signal LeakagegQx0gTgr( hornradius)z Horn Radiusg3333333@r4r5 hornrpmfast)zHorn Speed Fastg(\uz@r}rc hornrpmslow)zHorn Speed Slowg)\(D@rr hornwidth)zHorn Stereo Widthrrrhornxoff)zHorn X-Axis Offsetrrrhornzoff)zHorn Z-Axis Offsetrrrlink)zLink Speed Controlrrrmicangle)zMicrophone Anglef@rrQ)zMicrophone DistancegE@r4gb@)micdistr)zKA rotating loudspeaker using physical modelling. Same sound, more controls. triggerlevel)z Trigger Levelrrrz0sample and hold a CV value when a gate goes high)rr)rrz2https://www.youtube.com/watch?v=vKwA8wZaq3E&t=158s)PostgainrrrG)PregainrrrG)rTrUz'Nonlinear saturation and soft limiting.rTrU)rrTrUz2https://www.youtube.com/watch?v=vKwA8wZaq3E&t=392s)z Time Downrrr)zTime Uprrr)timeDowntimeUpzCSlows how fast a control signal changes. Useful with foot switches.z2https://www.youtube.com/watch?v=vKwA8wZaq3E&t=679sglide)r rrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrr)rrrrz%16 Step sequencer with internal clockz3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=1081sz>16 Step sequencer that takes in a trigger for next or previousz3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=1205s)r|r~rrVrXrrrrrrrrrrzStereo multiband parametric EQ.zIn LeftzIn Right)inLinRzOut Leftz Out Right)outLoutRz3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=1345s)rrrr"zCStereo cab sim. You normally do not want this. Requires stereo IRs.z3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=1360sz3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=1462s)rrrrrrzBasic stereo phaserz3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=1490s)rrrr)z/audio/0/0.wavrrr)rxrrzStereo convolution reverb.z3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=1498s)z Chord Rootrrr)z chord typerrr)z lead moderrr)rrrr) touched_notesrr)velocityrrr) chord_root chord_type lead_moderr]r_z,MIDI and V oct controller based on strummingz@choose chords and then strum the lines to get octaves of a chord v_oct_out)gate_outrrcz3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=1870sza + b for control signalsz3https://www.youtube.com/watch?v=vKwA8wZaq3E&t=2324s)rrrrr)rrrrrz.ratio between a tempo, like 3/4 to input tempo input_tempoz Input Tempo out_tempoz Output Tempoz2https://www.youtube.com/watch?v=ECGLqKu9ptI&t=280s)rggQ?rr) Depth Modrrr)rrrr)rgGz?rr)Raterrr)rI depth_modrrratezThrough Zero Flanger.rgrgzLeft InrrhzRight In)rIrirleft_inrrjright_inzLeft Outz Right Out)left_out right_outz2https://www.youtube.com/watch?v=ECGLqKu9ptI&t=520s)rBg ףp= ?rr)rQ?rr)r#rrr)r$r2rr)rgQ?rr)r%gHzG?rr)rDrorrzrA granular time stretching and pitch shifting module. Based on Parasite firmware of Clouds by Mutable Instruments.z2https://www.youtube.com/watch?v=ECGLqKu9ptI&t=690sz)toggles the output value on every triggerzOut Gatez3https://www.youtube.com/watch?v=ECGLqKu9ptI&t=1418s)z gate lengthr6rr)rrrr) gate_lengthrzHTakes in a trigger and outputs a gate with a length related to the tempozGate Length CVrQ)gate_length_cvrrzPThe gate length is how much of a bar is taken up assuming tempo is quarter notesrdzgate outz3https://www.youtube.com/watch?v=ECGLqKu9ptI&t=2130s)zNote Stabilityrrr)rrir)zDetected FrequencyrrrH)z Detected Noterrr)zDetected Octaverrr)zSignal Level (RMS)g@Prr) StrobeToUirrr)accuracycentfreq_outnoterrms strobetoui)rrrr)rrii@) thresholdFFTrrrq)thresholdFundamentalrrr)thresholdOctaverYr)thresholdOverriderrr)thresholdvertonesrr|r)thresholdPostFilterrrr) thresholdRMSg@Ur|r)z Tuning A440rgk@g@) rrXryrzr{r}thresholdOvertonesrrtuningz7A tuner suitable for tuning guitar or other instrumentsz Audio InputsysexzMIDI MTS SysExz3https://www.youtube.com/watch?v=ECGLqKu9ptI&t=2100s)z Decay Curverr+rq)rrrrq) Pull the Plugrrrr)DCURVEr PULL_THE_PLUGzFSimulates turning off a turntable. Connect a control to pull the plug.r)rrrz3https://www.youtube.com/watch?v=ECGLqKu9ptI&t=1480s)zdry wetrrr)rrrr)lengthgffffff?rr)rXrrr.)zspeed directiongQ@rr)dry_wetrrrXspeed_directionzqA delay where speed and length interact with quality. Based on Parasite firmware of Warps by Mutable Instruments.zin 1z dry wet cvz feedback cvz length cvzin 2zspeed direction cv)r7 dry_wet_cv feedback_cv length_cvr:speed_direct_cvzout 2zout 1z3https://www.youtube.com/watch?v=ECGLqKu9ptI&t=1592s)rrrrz#simple voltage controlled amplifierz2https://www.youtube.com/watch?v=fE8cb2v5kbw&t=590s)rrrr)z Feedback Gainrg+g+?)rrrrr)zMax Notch1 FreqrFrGrH)zMin Notch1 FreqrrGr)z Notch Depthrrr)zNotch Freq Ratiog?g?r)z Notch widthrr)Phaserrr) Vibrato Moderrrr) BPM_9Feedback_Gain_3Invert_Internal_Phaser_Sum_0Max_Notch1_Freq_7Min_Notch1_Freq_6Notch_Depth__Intensity__2Notch_Freq_Ratio_8 Notch_width_5Phase_4Vibrato_Mode_1zvibrato with internal LFO)rr'z3https://www.youtube.com/watch?v=fE8cb2v5kbw&t=1590s)rrrrr)rrMax_Notch1_Freq_6Min_Notch1_Freq_5rNotch_Freq_Ratio_7 Notch_width_4rzvibrato with CV LFOz3https://www.youtube.com/watch?v=fE8cb2v5kbw&t=1936s)Motorrrrr)Staticrrrr)Noiserrrr)Rumblerrrr)Cracklerrrr)Crinklerrrr)Agingrrr)zAging FrequencyriXi)z Pitch Noiserrr)z Pitch Rumblerrr)z Pitch Cracklerrr)z Pitch Crinklerrr) active1active2active3active4active5active6agingrpitch3pitch4pitch5pitch6z=Emulate dirty old lo-fi vinyl records. Bit CPU hungry but funz Vol Motorz Vol Staticz Vol Noisez Vol Rumblez Vol cracklez Vol CrinklezIn LzIn R)rVrXrrgain5gain6in_lin_rz(This is not good for nice clean stuff...)out_lout_rz3https://www.youtube.com/watch?v=fE8cb2v5kbw&t=1980s)Tape--Tube Blendrir)Driverrpr)rrzTube triode emulationrr)rrrz3https://www.youtube.com/watch?v=fE8cb2v5kbw&t=2400s)r/rrr)r1rrr) input_biasrrr)znumber of foldsrrr)r4r5rr3n_foldszSChebyshev wave folder. Based on Parasite firmware of Warps by Mutable Instruments. input_bias_cv num_fold_cv)r7r8r9rr:rz3https://www.youtube.com/watch?v=fE8cb2v5kbw&t=2622s)ryrrr)Shaperrr)zWet Dryrrr)ryr\xfadezblend between two inputsDryWetz Wet Dry Blend)r$ryrrz3https://www.youtube.com/watch?v=fE8cb2v5kbw&t=3298s)z signal a/brrrz!blend stereo inputs to stereo outzDry LzDry RzWet LzWet R)dry_ldry_rrywet_lwet_rr)Bassrr+rq)Midrr+rq)Treblerr+rq)bass_0mid_1treble_2zAmps style 3 knob tone stackr' utilities)rrrrrrr)onrrr)rrrrY)rrzvery basic boost)r`rarbrrN)effect_type_mapsseteffect_prototypes_models_all/home/debian/UI/module_info.pyrsy]~/\]<] 3]A]Q ] > ] S ]B]@]3];]:] 7] 5]G]L] D!]]";#]$U%]& 8'](3)]*;+],:-].:/]0:1]2:3]4:5]6 G7]8@9]:C;]<>=]>8?]@AA]BAC]]]D @E]FMG]H8I]J 9K]LBM]NBO]P9Q]R6S]TCU]V 9W]XGY]Z4[]^?_]`c]d=e]f=g]]]hHi]j Ak]l8m]n@o]pNq]r>s]t=u]vDw]xay]z]{]|B}]~D]@HA]D>E]F >G]HDI]JEK]]]L=M]N9O]PDQ]RJS]T=U]VEW]XFY]ZF[]\9]]^I_]`?a]bFc]dMe]f :g]hJi]jBk]lDm]]]n@o]pSq]r@s]tHu]v :w]x4y]z<{]|=}]~>]@4A]BBC]DDE]FBG]HDI]J@K]LHM]N8O]]]P?Q]RGS]T>U]V@W]X:Y]Z:[]\ 9]]^F_]`Fa]bFc]d:e]fGg]hPi]jJk]lLm]nCo]pCq]]]r?s]tNu]vNw]xEy]zE{]|Q}]~M]@?A]BJC]DUE]F?G]HGI]JIK]LJM]NHO]P WQ]RES]]]TNU]VDW]XGY]ZC[]\J]]^K_]`Pa]bPc]dPe]fAg]h 2i]jRk]lNm]n 0o]rGs]t3u]v>&4#^X$>?)*Q%SS3t6 Xa!=!=!= ; ; ;"?"?"?"<"<"%>%>(K(K(K%>%>%>%>%>%>@@2k23#* %!56*+O!QQEt6 f )I)I)I!$!$!$+K*J*J LL 4';!78!G!Hk#:;)*M O Ogt6 Ba/D/D/D-B-B-BDD">.18_,/?<<'A ()X)>?%,SUUCt6 bA)E)E)E)C)C)C'A'A'ACC ((3X'>"& !466%J "E;#78+,Q!SSct6 Da,E,E,E*A*A*A(=(=(=*A*A*A+H+H+H'<'<'<&9&9&9+C+C+C';';';=="J09;/G09;/GII&(228(1C0:H/E,2H+=)-{(;!=!=#'*,"(5+*>!?-.#%=''it6 fA#%7%7%78 '"& !4*3X)>@@$&!E;#78,- ! !gt6 z 1$;$;$;)H)H)H,1,1,1(B'A'A*G*G*GIIL%-x$8&/%=-=x,H+98*D(3['A,;X+F HH $5 O#(+"6#(+"688+X6Q7SS{t6 r.;@;@;@*A#$=#;#96>6>=#;$2494949=#;"$57<7<7<#=#;*$45N5N5N+=#;,$23J3J3J-=#;.$34L4L4L/=#;0$24;4;4;1=#;8$24949499=#;@$=?D?D?DA=#;J$57<7<7*>*>*>*>*>.F.F.FHH"K%);$7%-x$8::&('. &<'. &<>>(/T V Vc t6 z  !/7/7/7 171717/7/7/7 17171788$M-7,B-7,B,;[+I,;[+IKK#%.> -L.> -LNN$oP9RR{ t6 t q )+G+G+GH"F"_h$?@(6$}h&?@+, UWWu t6 F  +B+B+B/J/J/J/J/J/J"L"L,F,F,F$<$<$<>>,"Z$:;"$${H&=>!lP R RG t6 t6 ` q*I*I*I(D(D(D.L.L.L N N#?%':;'))J +CD"8 U W Wa t6 t A%:%:%:,G,G,GII .'-x&8(/':+5x*@BB%)'*(EFR T Tu t6 P q!#J')X)>?')$}h&?@&< UWWQ t6 b  #?#?#?"="="="="="=!;!;!;$A$A$A$>$>$> @@ '"/!:!-x 8!-x 8 &1 +X6#18"<#2H"=#,h"799!#9:$%N) P Pc t6 L w(>(>(>?!5!5!5!6!6!6&<&<&<#;#;#;(9(9(9&=&=&="4"4"4#7#7#7*E*E*EGG, '2 %}5%,h$7"((!3'-x&8%/$:!' 2"K022!{34"#M3 O OMt6 @A"0..~~~FF:$*H#5$*H#577$&!Hh#78# QSSAt6 R!(<(<(<-B-B-B#D#D&G/:H.E(,k':*0();!=!=+-"'%)=!>./#W Y YSt6 j3838383838380M/L/L,L,L,L,L,L,L !N !N$:,6{*C4F4<4>4F4<4>-6 ,D.?-J.?-JLL)+"S(3['A(2K'@ B B*H5!U9WWkt6 dw0F0F0F&G +O+O+O)A)A)A+K+K+K(@(@(@(@(@(@191919 /7/7/7 ,L+K+K)A)A)A)F)F)F# H H$#<.:8,D+5x*@(/':-98,D*4h)?*4h)?(/':,18+<-98,D+5x*@(-}'= ? ?(*!X1CX0N-@(,K1?0J-:>:>:>:>:>:>:>:>:>:>:>#?#? BH&@&@&@B$&@&@&@B$&@&@&@B%&@&@&@B*+I+I+I B *+I+I+I B *+I+I+I B*+I+I+IB%&@&@&@B%&@&@&@B%&@&@&@B%&@&@&@B%&@&@&@B%&@&@&@B%&@&@&@B%&@&@&@B ?+98*D$3X#>&4h%?AA$1,:8*D+98*D+98*D+98*D$2H#=$2H#=$2H#=$2H#=??((Qe2S2S]t6 B (H(H(H!@!@!@$D$D$D%F%F%F < < <%F%F%F HH E"*H!5"H-%{3#2H"=??!#+67$%M O OCt6 b'8'8'8,A,A,A"C"C%7.98-D'+[&9)/(: < <*,/:K.H/:K.H/:K.H.8+-F!H!H.."VXXct6 @ *@*@*@ A#6#6#6%:%:%:%:%:%:(E(E(E&A&A&A)?)?)? AA 8"'!7 $k244!#&+!67#_N P PAt6 ^Q)>)>)>)>)>)>,I,I,I*E*E*EGG!:$(+#6'/&:<<%'#fk%:;'S U U_t6 vq'B'B'B+K+K+K-5-5-5 *G)F)F(D(D(D)A)A)A C C#I')+4m*D'2H&=??&< U%WWwt6 \q'B'B'B+K+K+K-5-5-5 *G)F)F(D(D(D)A)A)A C C#I')+4m*D'2H&=??&< U%WW]t6 t6 t6 Bq'B'B'B+K+K+K-5-5-5 *G)F)F(D(D(D)A)A)A C C#I')+4m*D'2H&=??&< U%WWCt6 hq'B'B'B+K+K+K-5-5-5 *G)F)F(D(D(D)A)A)A C C#3 ')+4m*D'2H&=??&< U'WWit6 Pq'B'B'B+K+K+K-5-5-5 *G)F)F(D(D(D)A)A)A C C#3 ')+4m*D'2H&=??&< U'WWQt6 x 'D'D'D$?$?$?%@%@%@BB:!+[ 9$,h#799 " ; "<=#$N P Pyt6 P !*C*C*C,G,G,G-I-I-I+D+D+D*L*L*L-I-I-I+D+D+D,F,F,F)A)A)A+D+D+D,G,G,G I I;'1(%;#*H"5%.$9$,h#7"(+!6#*H"5&0(%;"(+!6$,h#7%.$9"((!3$,h#7%.$9"+X!6 8 8#%X$+[#9$+[#9;;%x0NE"P"PQt6 V!2K2K2K5:5:5:6;6;6;4M3L3L3:3:3: 6;6;6;4M3L3L4N4N4N2727274N3M3M4N4N4N5#P#P6&4/9(-C+2H*=-8(,C,2H+=*0+)>+2H*=.;X-F*0+)>,4h+?-6,A*8()C,4h+?-5x,@*3X)> !@ !@+-$V,3[+A,3[+A"C"C-x8#Xg3Z3ZWt6 ~18?8?8?0D/C/C $E$E 'F*. )<.6-A"C"C+-#)E;+?"@ -$W Y Yt6 X'3I3I3I)J"#,A,A,A7>7>7>/C.B.B #D#D &J+0-*@)-{(;!=!=*,"(5+*>!?,o#VXXYt6 v r!$ !45355   wt6 B 1!2!2!2&;&;&;==1(3X'>!%{ 3#)8"466$& 5+"67'(P R RCt6 Z 1!2!2!2&;&;&;==1(3X'>!%{ 3#)8"466$& 5+"67'(P R R[t6 rW&<&<&<= C C C888<<<)N)N)N"?"?"? AA K%x0#]355(34!"I K Kst6 N "#@& (<=(*!+,!UWWOt6 ^!#$D!)+!)D++> ?,-"VXX_t6 n!#%<!(%)<=*D!#$X"V X Xot6 Fq!"A(= ($ );<"8 U W WGt6 \!:?:?:?7=7=7=2G1F1F1F1F1F2H2H2H5L5L5L2J2J2J5L5L5L2J2J2J5L5L5L2J2J2J;@;@;@8=8=8=+#>#>2&O18(0C5@(4K18(0C18(0C18(0C6BH5M098/D1&4h%?+98*D'18&<'18&<&4h%?(3X'>)5x(@BB$&Y#(+"6#(+"688'2Q5SSy t6 n!a*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D*D F F";%. $<%. $<%. $<%. $<>>'@'1;&?'1;&?'1;&?AA..T/VVo!t6 ^"Q)>>??5#X.8JKKXx01K M M_"t6 n"/K/K/K,N,N,N,F,F,F+C+C+C,E,E,E "G"G %M1>x/H,5{+C.?-J.:H-E.9;-G.98-D  F F *,#^). (<). (<!>!>-x8"W)YYo"t6 X# 070707 *P)O)O%?%?%?%:%:%:<<7, !;"*Y ,C!D ,P$-z:.F"G &x$YQ([([]&t6 n'A#<#<#<#=#=#=#;#;#;#;#;#;#;#;#;#;#;#;#;#;#;#>#>#>#;#;#;)L)L)L%D%D%D&@&@&@ B B 5#i%<=%5& J'?@RC!T!To't6 r(q.2.2.2,I+H+H  J J #6', )CD')',m&<.:H-E-:H,E1@(0KMM#8 UWWs(t6 P)!&(C(C(C D#6$um&<=(* &Z(@A#H!VXXQ)t6 `)J0D0D0D#E)C)C)C,3,3,3 -4-4-4 5 5 O(-}'=&/%<>>%G & J'?@R1TTa)t6 R* !"K"K"K"E"E"EGG'!Iz#:;#.$j*%=>h  S*t6 j*A292929 .F-E-E.H.H.H %J%J(/#+i-D"E-@ %. J/G#H!'%Z%\\k*t6 P+A/7/7/7 /7/7/7 /7/7/7 191919 /7/7/7 /7/7/7 /7/7/7 /7/7/7 -4-4-4 -4-4-4 -4-4-4 -4-4-4o;%5;%5x(D#+i-D"E->%. J/G#H!'%ZKE\E\Q+t6 \-B$&$tZ&89R TT]-t6 t6 t6 h-q,O,O,O)J)J)J(J(J(J)M)M)M O O#*&J(?@(6 ):z*BC"8 U#WWi-t6 L.q,N,N,N,N,N,N,O,O,O)J)J)J,3,3,3 ,3,3,3 4 4#D&J(?@(? ):z*BC"8 U;WWM.t6 H/a-C-C-C-D-D-D.E.E.E.D.D.D-C-C-C-D-D-D-C-C-C-C-C-C-D-D-D-C-C-C-D-D-D-C-C-C 'E 'E*?%- :/F$G/='0*j1I%J#)('\5^^I/t6 ~/A292929 ,D+C+C+D+D+D,E,E,E,D,D,D+C+C+C+D+D+D+C+C+C+C+C+C+D+D+D+C+C+C+D+D+D+C+C+C!%E%E"(C#+i-D"E -H%. J/G#H!'%'G#)#)/t6 F1A%C%C%C&E&E&E)L)L)LNN I#i%<=%4% J'?@R T TG1t6 \1!#-070707#8 &O!)Iz+B C+4"+j*-E!F%h#X Z Z]1t6 v1(*+M'/)Z1H&I 18)2J 3K'L%+H)^#``w1t6 Z2A')L)L)LM8#i%<=%:% J'?@RTT[2t6 l2/6/6/6 *1*1*1 +M*L*L+O+O+O+M+M+M "O "O%6 (9j*AB*<"+Z,D E$X"W-YYm2t6 Z3*G*G*G,G,G,G+E+E+E080808 /N.M.M-I-I-I "K "K%* $|Z&@A)+*0();+2H*=.8(-C!E!E%X"W'YY[3t6 B4!070707 .P-O-O+D+D+D*G*G*G#I#I&E!)Iz+B C+/ #,j*-E!F%h#X)ZZC4t6 l4!#-070707#8 &D!)Iz+B C*,"+j*-E!F%h#X Z Zm4t6 F55I5I5I(J!"/6/6/6 /P.O.O171717+G*F*F292929":": %3-2M,B+4j*A C C)+!*Z,D E$X"W3YYG5t6 z5*36=6=6=*> -H(09j2I'J 2N*3Z4L(M&,X*_)aa{5t6 d6R#eZ%89%'S UUe6t6 p6 +D+D+D E">">">$C$C$CEEO$2H#=#0(";".!9;;"$#j*%=>X  q6t6 F7q'H'H'H+2+2+2 *1*1*1 2 2#A&+]%;)2J(?AA(/ ):z*BC"8 U5WWG7t6 t6 t6 |7A181818 .N-M-M292929 %: %:(0#+i-D"E-K$- J/G#H!'%Z'\\}7t6 d8q,O,O,O)N)N)N)K)K)K*1*1*1 +2+2+2 +N*M*M)G)G)G I I#;&J(?@(8 ):z*BC"8 U=WWe8t6 b9.5.5.5 +I*H*H/6/6/6 !7 !7$5')Z)@A)8 !*J +CD#H!VC!X!Xc9t6 f:A*1*1*1 -4-4-4 %F$E$E)0)0)0 *1*1*1 &I%H%H+3+3+3 .6.6.6777@ E#(-"8&/%<>>%%-L& J'?@R[MTMTg:t6 B=!2:2:2: -J,I,I #K#K &0"*Iz+B C+6#,j*-E!F%h#X%ZZC=t6 h=.5.5.5 /6/6/6 /O.N.N !P !P$D')Z)@A)@ !*J +CD#H!V-XXi=t6 V>Q1M1M1M3:3:3: 292929 &: &:)3$,y*.E#F .M&/Z0H$I"(&[=]]W>t6 T?Q3:3:3: 0P/O/O/6/6/6 070707&8&8 )3$,y*.E#F .6&/Z0H$I"(&[A ] ]U?t6 V@Q1M1M1M181818 181818 181818 070707 070707 0707075&8&8>)<$,y*.E#F .6&/Z0H$I"(&[_/]/]W@t6 vAQ)>>??6#X.8JKKXx01J L LwAt6 FB #;#;#;'D'D'D#>#>#>'C'C'C!8!8!8!8!8!8)B)B)B DD;&18%<&0(%;$*K#8$*K#8::"$ 45()N# P PGBt6 jB &:%!F!F!F&:"$M$M$M&:"%.%.%.&: #$H$H$H &: !J!J!J&:"#9#9#9&:%&;&;&;&: !E!E!E&:#%.%.%.&:#$M$M$M&: #$G$G$G!&:" !I!I!I#&:$"#8#8#8%&:&$%9%9%9'&:(#$7$7$7)&:*"#G#G#G+&:,"#G#G#G-&:&:."#J#J#J/&:0"#J#J#J1&:2!"<"<"<3&:4"#?#?#?5&:6"#?#?#?7&:8"#?#?#?9&::"#?#?#?;&:<&'C'C'C=&:> A A A?&:@ A A AA&:B A A AC&:D A A AE&:F!"8"8"8G&:H!"8"8"8I&:J!"8"8"8K&:L!"8"8"8M&:&:N;t[12!# 45()N[- P- PkBt6 ZD !"@"@"@!E!E!EGG+"/!: $k244"$%!56*+O Q Q[Dt6 nD+C+C+C,M,M,M,G,G,G*C*C*C/O/O/O-M-M-M070707 "8 "8%O $t[&9:)+!& (< =01"W!YYoDt6 PEQ)=)=)=&F&F&F%(%(%()) !A%2H$=#'"577!%'"UK$89()SUUQEt6 nE;@;@;@7<7<7<8=8=8=4N3M3M:?:?:?6<6<6<=E=E=E 6P5O5O9>9>9>5P4O4O5O5O5O:?:?:?6;6;6;K("<(")>)>!@"()>)>)>!@")*@*@*@!@")*@*@*@!@")*@*@*@!@")*@*@*@!@")*@*@*@!@ ")*@*@*@!!@""()>)>)>#!@$"()>)>)>%!@&"()>)>)>'!@(*?)>)>)>)>)>)>)>)>)>)>)>)>)>)>1!@!@!@2$P-8(,C',m&<(.'9)8((CEE)+ % X'>?,-!SO'U'UkGt6 t6 t6 zH,>AEAEAE,F %&%DX/G/G/G%D%,.G.G.G%D%+-B-B-B%D&,-B-B-B%D&-.D.D.D %D &-.D.D.D %D &-.D.D.D %D&-.D.D.D%D&-.D.D.D%D&-.D.D.D%D&,-B-B-B%D&,-B-B-B%D&,-B-B-B%D&,-B-B-B%D&,-B-B-B%D&,-B-B-B%D &,-B-B-B!%D"&,-B-B-B#%D%D$(F4BH3M-)>)>@@"4+6*A$(+#6&,h%799')#e[%9:*+T V V]Jt6 tJ  45 "CEE   uJt6 @KQ!#;#;#;<:-88LMM%{3%{355$%K M MAKt6 RK "<"<"<+H+H+H191919+L*K*K ; ; ;==*'/;)GH "),*>*>)=)=)=(:(:(:<<"K$w&9:&(&8(<=*+S U UGMt6 ^Mq*>*>*>););); = ="L%':;')'(H)=>+, TVV_Mt6 pMa3838383838385<5<5< = ="<!D+#67&('-x&8+5z*B'4h&?AA++S+UUqMt6 \NQ*E*E*E*O*O*O*C*C*CEE!)&-{%;+8(*CEE%'%+'>?)*S U U]Nt6 tNA,D,D,D.F.F.F050505.E-D-D,N,N,N/K/K/K.3.3.3/I.H.H+C+C+C-J-J-J.F.F.F!HH" <);H'E%,h$7'.&9&,h%7$*K#8%,h$7(3X'>$*K#8&98%D'0(&;$*H#5&18%<'-x&8$-x#8 : :%4Q&-{%;&-{%;==((3Ra0T0TuNt6 VP*G*G*G,G,G,G+E+E+E.M.M.M-I-I-I "K"K %0 (<*DE)++3X*>+3X*>+3X*>+3X*>,5x+@,5x+@,5x+@,5x+@)3X(>!@!@%X"W)YYWPt6 @Q*A*A*A+C+C+C,E,E,E,E,E,E"G"G%1 $t[&9:)+!& (< =12"W Y YAQt6 XQ*A*A*A*B*B*B,E,E,E,F,F,F"H"H%J $t[&9:)+!& (< =12"W Y YYQt6 nQ -~~NNNCC;!' 2VX*0+)> @ @+,!U#WWYRt6 |R 1"8"8"8#9#9#9#:#:#:#9#9#9"9"9"9"8"8"8"9"9"9"8"8"8"8"8"8"9"9"9"8"8"8"9"9"9 ; ;L!GX#67$-(1(&;&.%9;;'(P+RR}Rt6 hS q+^^...AA>%x068:LMM!x23<M O OiSt6 xSq!#,$vx&89')$x&:;&< UWWySt6 JTA,J,J,J.G.G.G/K/K/K-L-L-L,N,N,N/I/I/I-H-H-H.H.H.H+D+D+D-G-G-G.G.G.G I I /&28$<'.&9(3X'>&4h%?$*K#8%,h$7(0(';$*K#8&/%:'0(&;$+X#6&.%9'/&:$-x#8 : :%'P&-{%;&-{%;==((3RE"T"TKTt6 PU !@!@!@'/'/'/"A!@!@ BB , +X6");!7 +X688"$!Hk#:;$%O Q QQUt6 pU $D$D$D&J&J&J#6#6#6$D$D$D%>%>%> @@ 5)5x(@)5x(@)5x(@)5x(@%{3 55 !#!. <"0+!>@@"ON# P PqUt6 TVe"I+060606e"I#.050505 e"I#.060606e"I#,-M-M-Me"I#/171717e"I"#0292929#e"I*#0292929+e"I2#.0505053e"I:#+,?,?,?;e"I<#.080808=e"ID#./K/K/KEe"IF#+,D,D,DGe"IH#./N/N/NIe"IJ#.080808Ke"IR#./K/K/KSe"IT#+,A,A,AUe"IV#./N/N/NWe"Ie"IX#.080808Ye"I`#./N/N/Nae"Ib#+,D,D,Dce"Id#./L/L/Lee"If#.060606ge"In#1383838oe"Iv#.060606we"I~#-/5/5/5e"IF#,-M-M-MGe"IH#/171717Ie"IP#02:2:2:Qe"IX#0292929Ye"I`#.050505ae"Ih#-/5/5/5ie"Ip#-/5/5/5qe"Ix#)*J*J*Jye"Iz#-/6/6/6{e"Ie"IB.5.5.5/H.G.GKe"Ie"Ie"IL%L2>1I2>1I2>1I2>1I'. &<  > > *,*7)E+9;*G!I!I+_"WerYrYUVt6 zYQ,.K.K.KL!'&-x%8(.'9;;%'&,h%7(0(';==)*R T T{Yt6 PZ 1(@(@(@'>'>'>@@G$+[#9'18&<&/%:<<$&#h %<=+,P R RQZt6 fZa+D+D+D)B)B)BDD">!D(#34&(#eX%67*+S U UgZt6 zZ/E/E/E=A=A=A(B(B !"!E.E.E.E!E!&(=(=(=!E!(*B*B*B!E"/141414!E"()@)@)@!E")*C*C*C!E"()C)C)C!E"()C)C)C!E")*E*E*E!E")*E*E*E!E")*E*E*E!E")*E*E*E!E")*E*E*E!E ")*E*E*E!!E""()C)C)C#!E$"()C)C)C%!E&"()C)C)C'!E(*D)C)C)C)C)C)C)C)C)C)C)C)C)C)C1!E!E!E2$K-8(,C',m&<(.'9)8((CEE)+ % X'>?,-!VO'X'X{Zt6 J\,>AEAEAE,F %&%IW.F.F.F%I%,.G.G.G%I%+-G-G-G%I&,-G-G-G%I&-.I.I.I %I &-.I.I.I %I &-.I.I.I %I&-.I.I.I%I&-.I.I.I%I&-.I.I.I%I&,-G-G-G%I&,-G-G-G%I&,-G-G-G%I&,-G-G-G%I&,-G-G-G%I&,-G-G-G%I &,-G-G-G!%I"&,-G-G-G#%I%I$(F4BH3M-$>$>%A%A%A%A%A%A%A%A%A%A%A%A"C"C"C"C"C"C"C"C"C"C"C"C$:$:$:$:$:$:$:$:$:$:$:$:K%<%<%3@3C3>3@AA*? U-WWi_t6 V`q+>+>+>(H(H(H(+(+(+!,!, $@ $t[&9; $(**0+)>*0+)> @ @+, UWWW`t6 Ta q&>&>&>&=&=&=%;%;%;"6"6"6)G)G)G$=$=$= ?? I 4$*H#5$. #;%0($;==$$M O OUat6 taQ)>>??3#X.8JKKXx01K M Muat6 DbQ#9#9#9#9#9#9;;!()M=+IJ%'(>=*IJ$R T TEbt6 Xb+D+D+D/K/K/K.I.I.I)@)@)@*A*A*A "C"C %<*18)<.98-D-7,B,5{+C(-x'8)/(:-7,E  G G*,.8+-F/:K.H!J!J+_"V%XXYbt6 ~ba.F.F.F0M0M0M1M1M1M/H/H/H/6/6/6 2M1L1L/I/I/I0J0J0J-E-E-E/I/I/I0J0J0JLL"E+5h)?'.&9)4h(?(0(';&,k%:'.&9*4h)?&,k%:(0(';)2H(=&,h%7(0(';)18(<&/%: < <') R(/'=(/'=??)84SM&U&Ubt6 Ld F 9h"78 " H56LN P PMdt6 \d2H2H2H(I!"252525,C+B+B "D"D %I3CX2N*1=)A,5x+@ B B*9",j(-C D(\"W#YY]dt6 @e +N+N+N';';';+N+N+N'B'B'B)G)G)G&L&L&L-F-F-F HH#7#7#7 7 7 7(L(L(L171717,1,1,1.4.4.4/4/4/4050505)M(L(L"F"F"F1HH2(]K89!!1: >?<MO' O' OAet6 Pf+L+L+L*I*I*I3;3;3;!<!<$A)5x(@)3[(A1@(0KMM)+ (; *DE*O!V!XXQft6 rfQ)C)C)C*F*F*F(B(B(B&=&=&=272727 88!:)/ '<+7*B,98+D*5x)@*0+)>0D080: ;;&(P%,k$:%,k$:<<((3S1UUsft6 dgQ5556=#X.w 6LMMX{34$%J L Legt6 tg *@*@*@ A#6#6#6.5.5.5;C;C;C 0707070606068P7O7O141414,K+J+J%7%7%7-5-5-5366<8"'!7 $k244!#%!56#_OM& Q& Qugt6 BiQ292929?G?G?G 4;4;4;4:4:4:!6$(+#6'/&:<<%'#e[%9:'SM&U&UCit6 Pj q#=#=#=#>#>#>#=#=#=#>#>#>#?#?#?#?#?#?!3!3!3 D D D";";";"<"<"<"="="="="="= ? ?+ +X6 ,h7 +X6 ,h7 -x8 -x8%{3%{355 J!(+ 6!(+ 688!?M7 O OQjt6 Hk "C"C"C"9"9"9;;2!3X >!(( 3!(+ 688!# 8["9:()N P PIkt6 t6 ^k*H*H*H-2-2-2,I+H+H(B(B(B(J(J(JLL L'0+&>.>-I,:H+E-#>#>@@7 %{3")8!4 %{3"18!<>>"$ 45()O Q Q!"*B*B*B*B*B*B*H*H*H!J!J$G)0+(>)0+(>)0((;)0+(>)0+(>)8((C EE )+*1;)?*1;)? A A/0!VXX &@&@&@%>%>%>(D(D(DFF=$ !45#%!E;#78#}&&111 7 7 799,Wk23!x56= " "Ymt6 t6 t6 r